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The Last Life ***SIGN ED***

Claire Messud

1,364 ratings by Goodreads
ISBN 10: 0330375636 / ISBN 13: 9780330375634
Published by Picador, London, 1999
Condition: Fine Hardcover
From William Ross, Jr. (Annapolis, MD, U.S.A.)

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Quantity Available: 1

About this Item

First British Edition, First Printing with full number line. Signed, without inscription, by author on the FULL title page. All our books are bubble wrapped and shipped in a sturdy box with Delivery Confirmation. NO remainder mark, NO previous owner markings or inscriptions, NOT price clipped, NOT a Book Club Edition, NOT an Ex-Lib. Dust jacket covered in protective clear wrapper. Bookseller Inventory # 011605

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Bibliographic Details

Title: The Last Life ***SIGN ED***

Publisher: Picador, London

Publication Date: 1999

Binding: Hard Cover

Book Condition:Fine

Dust Jacket Condition: Fine

Signed: Signed by Author on Full Title Page

Edition: 1st British Edition, 1st Printing.

About this title

Synopsis:

"The Last Life" tells the story of the teenage Sagesse LaBasse and her family, French Algerian emigrants haunted by their history, brought to the brink of destruction by a single reckless act. Observed with a fifteen-year-old's ruthless regard for truth, it is a novel about secrets and ghosts, love and honour, the stories we tell ourselves and the lies to which we cling. It is a work of stunning emotional power, written in prose of matchless iridescence and grace. "'Powerful, Gripping, dark at its heart, this is an almost faultless novel" - "Evening Standard". "A joy to read. Messud's prose is lush, incantatory ...her observations are funnily astute, brimming with wit and imagination ...as elegant and precise as geometry" - "Independent". "Mesmerizing ...Ms Messud has written a large and resonant novel that is as artful as it is affecting" - "New York Times".

Review:

Claire Messud's piercing second novel asks questions most are too fearful to face. Moving between the South of France, the East Coast of the U.S., and Algeria, The Last Life explores the weight of isolation and exile in one French family. Of course, the adjective French is already inadequate, as at least some of the LaBasses still long for the paradise lost of Algeria. And Alex LaBasse's wife, Carol, try as she might with her Continental impersonations, will always be an American sporting a metaphorical twin set. The narrator, Sagesse, too, soon finds herself equally stranded. Only her autocratic grandfather, Jacques, is ostensibly comfortable with the identity he has wrought: successful owner of the Bellevue Hotel and head of his dynasty. It is thanks to this man that 14-year-old Sagesse comes to crave invisibility. Having lost of all of her friends, she sees herself as "a member of the Witness Protection Program, surrounded by an odd human assortment chosen only for the efficiency of disguise; but somehow, nevertheless, inescapable."

The cause of this loss? Jacques, fed up with Sagesse and her pals' late-night noise at the hotel pool--or perhaps with their failure to take him seriously--shoots at one girl. This incident ruptures life for each LaBasse, the Bellevue no longer "their bulwark against absurdity." Looking back on the crucial two years following the patriarch's "target practice," Sagesse possesses both a teenager's slant self-interest and an older, acute eye for the mechanisms of shame. The Last Life is that rare thing, a fast-moving philosophical novel masquerading as a bildungsroman. In her efforts at identity and affection, its heroine is increasingly alive to the subterfuges of narrative, forcing herself to sort through versions of reality. Her grandmother, for instance, relates one myth about her husband, only to have Carol undercut it entirely. And Sagesse herself can't figure out whether Jacques is "sentimental or heartless." What if both, she realizes, are possible?

As Messud's narrator navigates her way through the past--and the Algerian sections are among the book's most extraordinary--there is everything to savor in her wavelike sentences, many of which possess a dangerously witty undertow. And the scenes of familial tedium are the opposite of tedious. The dialogue snaps with subverted emotion, anxiety, and irony. At one of the LaBasses' bleaker fests, much is made of the mouna, a special (if dry) Algerian cake. Nonetheless, the grandmother does her best to fob it off at evening's end. "I've never cared for it myself, although it's a lovely memory." Retrospect, as Sagesse realizes, is "a light in which we may not see more clearly, but at least have the illusion of doing so."

E.M. Forster called another Mediterranean novel, The Leopard, "one of the great lonely books," and it is into this category that The Last Life instantly falls. --Kerry Fried

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