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The Lay of the Land ***SIGNED***

Richard Ford

3,388 ratings by Goodreads
ISBN 10: 0747581886 / ISBN 13: 9780747581888
Published by Bloomsbury, London, 2006
Condition: Fine Hardcover
From William Ross, Jr. (Annapolis, MD, U.S.A.)

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About this Item

First British Edition, First Printing with full number line. Preceeds US eidition. Signed, without inscription, by author on the FULL title page. New unread Fine book with bruised spine ends in Fine dust jacket. All our books are bubble wrapped and shipped in a sturdy box with Delivery Confirmation. NO remainder mark, NO previous owner markings or inscriptions, NOT price clipped, NOT a Book Club Edition, NOT an Ex-Lib. Dust jacket covered in protective clear wrapper. Bookseller Inventory # 007013

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Bibliographic Details

Title: The Lay of the Land ***SIGNED***

Publisher: Bloomsbury, London

Publication Date: 2006

Binding: Hard Cover

Book Condition:Fine

Dust Jacket Condition: Fine

Signed: Signed by Author on Full Title Page

Edition: 1st British Edition, 1st Printing.

About this title

Synopsis:

With The Sportswriter, in 1985, Richard Ford began a cycle of novels that ten years later – after Independence Day won both the Pulitzer Prize and the PEN/Faulkner Award – was hailed by The Times of London as “an extraordinary epic [that] is nothing less than the story of the twentieth century itself.”

Frank Bascombe’s story resumes, in the fall of 2000, with the presidential election still hanging in the balance and Thanksgiving looming before him with all the perils of a post-nuclear family get-together. He’s now plying his trade as a realtor on the Jersey shore and contending with health, marital and familial issues that have his full attention: “all the ways that life seems like life at age fifty-five strewn around me like poppies.”

Richard Ford’s first novel in over a decade: the funniest, most engaging (and explosive) book he’s written, and a major literary event.

Review:

After more than a decade, Richard Ford revives Frank Bascombe, the beloved protagonist from The Sportswriter and Independence Day. Fans will be scrambling for The Lay of the Land, a novel that finds Bascombe contending with health, marital, and familial issues wake of the 2000 presidential election. We asked Richard Ford to tell us a little more about what it's like to create (and share so much time with) a character like Frank. Read his short essay below. --Daphne Durham

Richard Ford on Frank Bascombe

I never think of the characters I write as exactly people, the way some writers say they do, letting their characters "just take over and write the book;" or for that matter, in the way I want readers to think of them as people, or even as I think of characters in novels I myself read (and didn't write). In my own books I do all the writing--the characters don't. And for me to think of them as people, instead of as figures made of language, would make my characters less subject to the useful and necessary changes that occur as I grow in my own awareness about them as I make them up. Writing a character for twenty-five years and for three novels, as I have written about Frank Bascombe, has meant that Frank has, of course, become a presence in my life (and a welcome one). When I wrote Independence Day I began with the belief that Frank was pretty much the same character and presence he was in The Sportswriter. But when I went back later and read parts of The Sportswriter, I found that the sentences Frank "spoke" and that filled that second book were longer, more complex, and actually contained more nitty experience than the first book. This has also been true of The Lay of the Land: longer sentences, more experience to reconcile and transact, more words required to make lived life seem accessible. You could say that Frank had simply changed as we all do. But practically speaking--as his author--what this makes me think is that I've had to make up Frank up newly each time, and have not exactly "gone back" and "found" him--although Frank's history from the previous books has certainly needed to be kept in sight and made consistent. What is finally consistent to me about Frank is that I "hear" language I associate with him, and it is language that pleases me, with which I and he can (if I'm a good enough writer) represent life in an intelligent and hopeful and buoyant spirit a reader can make use of. --Richard Ford

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