New York : Independent Curators International in association with Harry N. Abrams, ?1999. Hardcover. 224 pages : illustrations (chiefly color) ; 31 cm. In very good condition with original dust jacket, firm binding, clean pages and free of markings. Bookseller Inventory #
Synopsis: Lee Krasner never took the easy way out — not in life, not in art. Brought up in a poor Brooklyn neighborhood and originally named Lena Krasner by her immigrant parents, she decided early on to create a new name and a new identity for herself. Later, as one of the few female painters in the aggressively male circle of Abstract Expressionists, she had to contend not only with the critics' skepticism about their new way of making art but also with the skepticism that greeted any woman's attempts to become a professional artist.
Many of Krasner's male colleagues — including her husband, Jackson Pollock — developed a unique "signature" style that identified them throughout their careers. Krasner, however, experimented with one style after another, from her early geometric abstractions (created while she was one of Hans Hofmann's most talented students), through her large-scale organic images of mid-career, to the hard-edge compositions of her late years. Certain elements recur throughout — most notably, her distinctive sense of color, her affinity for swelling forms inspired by nature, and her fearlessness in experimenting with new techniques.
Krasner's unwillingness to stick to one style, her readiness to put her career aside to focus on Pollock's, and her feuds with some of the period's most powerful critics all reduced her visibility in the art world. She has been the subject of exhibition catalogs, but this is the first monograph devoted to her work, and it brings to light all the intriguing complexities of her approach to making art. Dr. Robert Hobbs skillfully explores the twists and turns of her career, offering new information and insight about one of the most intriguing painters of the postwar era.
About the Modern Masters series:
With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.
Review: At nearly every stage of her 15-year marriage to the universally recognized Jackson Pollock, Lee Krasner was quicker to respond to stylistic innovations in the art world than her husband. Pollock either didn't catch on to the art-world developments that surrounded him or incorporated changes much later than Krasner did. Some critics read Krasner's dynamic painting style as evidence of her superiority as an artist, but others saw her porousness as a problem, and Pollock's comparative insularity as one key to his uniqueness. In Lee Krasner, Robert Hobbs gracefully analyzes the many forces--of personality, education, and cultural and political milieu--that shaped Krasner's 60-year devotion to art; in the process, he elucidates the many reasons her "artistically constructed self remains provisional."
B.H. Friedman, Pollock's first biographer, introduces the book with a gripping series of intimate, you-are-there diary entries from the long years of his friendship with the two artists. Then Hobbs weaves biography and critical interpretation to develop the main text of the book. The reproductions of Krasner's drawings and paintings (97 in color) are excellent, giving a fair picture of her long career, and there are more than a score of black-and-white archival photos of Krasner and the other early abstract expressionists. The book has a few odd omissions though, such as any reference to Mark Tobey, whose "white writing" paintings and others are so closely related stylistically to Krasner's work of the 1940s. Still, this is the respectful but objective book Krasner's vigorous work and forceful personality deserve. It sheds sympathetic light on her lifelong, intellectually rigorous, artistic questing. --Peggy Moorman
Title: Lee Krasner Hobbs, Robert
Binding: Hardcover Oct 01, 1999
Book Condition: Used: Very Good
Book Description Harry N. Abrams, 1999. Book Condition: Good. 1st US -1st Printing. Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP64395491
Book Description Harry N. Abrams. Hardcover. Book Condition: Fine. 0810963957 Ships promptly. Bookseller Inventory # GHP2311.1GAGG072517H0768
Book Description Harry N. Abrams, 1999. Hard Cover. Book Condition: Very Good. Dust Jacket Condition: Good+. 224pp. Over sized heavy gray cloth hardback, upper front corner tip slightly bumped, DJ has a one ince tear at upper spine edge and slight wrinkle along front upper edge, VG, b&w and color photos and illustrations, Collection of paintings by Lee Krasner, a female abstract expressionist painter who was recognized as one of the founders of the New York school of painting after World War II, Bookseller Inventory # w170623633
Book Description Independent Curators Internationa/Harry N. Abrams, New York, 1999. Hardcover. Book Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. 4to(12"tall)gray cloth. First Printing, 1999. Fine but for ink inscription on front free endpaper, in an unclipped dust jacket with minor edgewear and slight rubbing, otherwise Near Fine. SCARCE IN FIRST PRINTING. **NOTE: A large and heavy book that may require extra postage.**. Bookseller Inventory # 8490
Book Description Harry N. Abrams, 1999. Hardcover. Book Condition: Used: Very Good. Bookseller Inventory # SONG0810963957
Book Description Harry N. Abrams, 1999. Hardcover. Book Condition: Very Good. Dust Jacket Condition: Very Good. Jacket in Very Good condition. No markings throughout. Nice clean copy. Family owned since 1989. Selling online since 1995. Exceptional shopping experience, 100% Satisfaction Guaranteed!. Bookseller Inventory # mon0000602765
Book Description Independent Curators International / Harry N. Abrams, New York, 1999. Hardcover. Slate-gray cloth, black & color illus. dust jacket, 224 pp., 93 color illus., 33 BW illus. Issued in conjunction with 1999-2001 exhibitions featuring works by American abstract expressionist Lee Krasner (1908-1984): "the only critically recognized woman artist among the founders of the New York school of painting after World War II." (dj) With essays by B. H. Friedman and Robert Hobbs. "The book breaks new ground not only in expounding the meanings of her work, but also in examining her dialogue with a wide range of artistic, literary, and cultural voices, including those of fellow artists Jackson Pollock (her husband), Hand Hofmann, and Willem de Kooning, and of critic Harold Rosenberg." (dj). VG (Ex-gallery, with stamp and a few marks, pages lightly tanning at edges, otherwise very nice indeed.). Bookseller Inventory # 137117
Book Description Harry N. Abrams 1999-10-01, 1999. Hardcover. Book Condition: good. 0810963957. Bookseller Inventory # 570511
Book Description Harry N. Abrams, 1999. Hardcover. Book Condition: New. Bookseller Inventory # DADAX0810963957
Book Description Book Condition: Good. Book Condition: Good. Bookseller Inventory # 97808109639554.0