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The Likes of Us: America in the Eyes of the Farm Security Administration

Cohen, Stuart

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ISBN 10: 1567923402 / ISBN 13: 9781567923407
Published by David R Godine Pub, Jaffrey, New Hampshire, U.S.A., 2008
Condition: Fine Hardcover
From citynightsbooks (Allston, MA, U.S.A.)

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About this Item

Stated first edition. Maroon cloth, gilt titles. Edited and with a Foreword by Peter Bacon Hales. These are the classic photos from the Depression era by Lange, Evans, Shahn, Lee, Wollcott and others. Nicely reproduced on quality paper. Unread, as new in like DJ. 183 pp. Bookseller Inventory # 10283

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Bibliographic Details

Title: The Likes of Us: America in the Eyes of the ...

Publisher: David R Godine Pub, Jaffrey, New Hampshire, U.S.A.

Publication Date: 2008

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: Fine

Edition: 1st Edition.

About this title

Synopsis:

Housed at the Library of Congress, the archives of the Farm Security Administration constitute an essential visual record of American life from the late 1920s through the onset of the Second World War. Guided by the adroit hands and watchful eyes of the master photo editor Roy Stryker, the FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and Russell Lee, whose names and work may be less familiar.

Stryker's approach to his photographers' assignments was a bracing mix of structure and improvisation. He sent his artists across the country to shoot for a few weeks, mostly in small towns and rural areas. They worked from what Stryker called shooting scripts laundry lists of possible subjects and situations but were always free to explore their own perspectives on a locale, its inhabitants, and their activities. When negatives and prints arrived, Stryker would guide his artists with suggestions, advice, and sharp-eyed criticism, all designed to elicit their best work. At this he was strikingly successful.

This book collects work from nine of these trips Evans in Louisana and Alabama, Shahn in West Virginia, Lange in California, and others uniting them with Stryker's shooting scripts, letters, and other relevant archival documents. What emerges, beyond the images themselves, is a complex and vital overview of the FSA at work, not just the work, but how the work evolved and matured under Stryker's guidance. Appropriately, the book concludes with photographs of New Orleans, the only city photographed in depth by the FSA artists.

Reproduced in duotone, the 175 photographs in The Likes of Us all printed from the original negatives at the Library of Congress offer a rare opportunity not only to see a choice selection of famous and little-known images but also to understand the working of one of the government's most original and creative pre-war initiatives.

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