Don't Look Back : Poems
Dabney Stuart
Sold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
New - Soft cover
Condition: New
Ships from Germany to U.S.A.
Quantity: 1 available
Add to basketSold by AHA-BUCH GmbH, Einbeck, Germany
AbeBooks Seller since August 14, 2006
Condition: New
Quantity: 1 available
Add to basketNeuware - In Don't Look Back, Dabney Stuart recalls central people and emotions from his past and integrates them into a search for personal wholeness in the present. He honors a network of family members, calling up the richness of their lives and making room for them in his. There is his aloof and coldly majestic grandmother, a salty, aged grandfather, variations on a dream girl, and images of a mother, wives, father, sons, and an elusive brother. Undergirding these poems is an implied chronology of psychological growth: from floating prenatal consciousness, through adolescent jealousy and repression, to adult acceptance and grief.Although the autobiographical aspect of Stuart's poems anchors them in a drama of generations, it also serves as a springboard into thoughtful and profound searchings. In the five-part poem, ''The Birds,'' the poet ponders the flow of events in life and the intangible forces that influence that flow. The birds of the title represent, and are somehow intimate with, these forces. Although not inclined to divulge them, the birds have answers to human question about pain, loss and regeneration.In such a time, in April, you could almost imagine a child standing under the pines, shadowed. He could lift his hand to them and open it, releasing among their needles an affable light, a flying instant which might nest in them, a birthday covenant of impossible flightThe poems in Don't Look Back are ambitious, complex meditation rendered with grace and clarity.
Seller Inventory # 9780807113844
In Don’t Look Back, Dabney Stuart recalls central people and emotions from his past and integrates them into a search for personal wholeness in the present. He honors a network of family members, calling up the richness of their lives and making room for them in his. There is his aloof and coldly majestic grandmother, a salty, aged grandfather, variations on a dream girl, and images of a mother, wives, father, sons, and an elusive brother. Undergirding these poems is an implied chronology of psychological growth: from floating prenatal consciousness, through adolescent jealousy and repression, to adult acceptance and grief.
Although the autobiographical aspect of Stuart’s poems anchors them in a drama of generations, it also serves as a springboard into thoughtful and profound searchings. In the five-part poem, “The Birds,” the poet ponders the flow of events in life and the intangible forces that influence that flow. The birds of the title represent, and are somehow intimate with, these forces. Although not inclined to divulge them, the birds have answers to human question about pain, loss and regeneration.
In such a time, in April, you could almost imagine
a child standing under the pines,
shadowed. He could lift his hand to them
and open it, releasing among their needles
an affable light, a flying instant
which might nest in them, a birthday covenant
of impossible flight
The poems in Don’t Look Back are ambitious, complex meditation rendered with grace and clarity.
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