The Loser

Bernhard, Thomas

Published by Knopf, 1991
ISBN 10: 0394572394 / ISBN 13: 9780394572390
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Hardcover. 8vo. Knopf. 1991. 189 pgs. First Edition/First Printing. DJ in VG shape with light shelf-wear present to the DJ. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Photos sent upon request. Bx-238; 8.10 X 5.10 X 1.10 inches; 189 pages. Bookseller Inventory #

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Synopsis: Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.

One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and self-mocking narrator-- has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, The Loser is a brilliant meditation on success, failure, genius, and fame.
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Review: For music lovers, perfectionists, and estheticians, Thomas Bernhard's The Loser (1983) poses an irresistible drama of failed excellence. In 1953 three friends, among whom is the famed Glenn Gould, study with Horowitz. Rarely sleeping, hardly eating, they burn intensely with the white and ruthless flame of virtuosity. Only Gould ascends. But this is no conventional narrative--neat, action-driven, or linear. It opens with the specter of death--Gould's at 51, and a suicide. Art exalts even as it destroys, when the aspirant is found wanting. Both Wertheimer, the suicide, and the narrator turn their backs on their musical careers, thus triggering their process of "deterioration." What is the consequence of throwing it all away? And yet, what are the rewards of realized genius? After Gould becomes, indeed, Glenn Gould, the two friends go to visit him in Canada. "He had barricaded himself in his house. For life. All our lives the three of us have shared the desire to barricade ourselves from the world. All three of us were born barricade fanatics."

Bernhard fans will recognize the restrained rant, the execution of an idea carried to a logical, caustic extreme. The rant creates, of the novel, a grand philosophical speculation: What is devotion to one's art? What is it to truly understand one's art and to not misuse one's gift? And, alas, The Loser can also be read as the profound consequence of perfectionism, whereby all efforts to create or execute anything of note are squashed in the critical mind's ruthless self-scrutiny. The narrator works, for example, on his Glenn Gould essay for nine years, grateful, in the end, that he has published nothing. "How good it is that none of these imperfect, incomplete works has ever appeared, I thought, had I published them.... [T]oday I would be the unhappiest person imaginable, confronted daily with disastrous works crying out with errors, imprecision, carelessness, amateurishness." The one regenerative act seems to be that of self-destruction. Destruction, indeed, becomes the flip side of perfectionist rigor. Thomas Bernhard (1931-89) was his own unique genius and in The Loser, one of his most acclaimed novels, he creates a chilling portrait of tragic compulsion, teasing and testing our assumptions human behavior. --Hollis Giamatteo

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Bibliographic Details

Title: The Loser
Publisher: Knopf
Publication Date: 1991
Binding: Hardcover
Book Condition: Very Good
Edition: First Edition; First Printing.

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Book Description New York: Alfred A. Knopf, 1991. dj, 1991. Hardcover first edition - First US printing. Posthumous publication of a brief novel by one of the most admired German-language writers of his time. Translated by Jack Dawson; Afterword by Mark M. Anderson. 190 pp. Very near fine in a like dustjacket (a bit of rubbing to the dj) . Seller Inventory # 60486

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