Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory #
Synopsis: Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.
One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and self-mocking narrator-- has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, The Loser is a brilliant meditation on success, failure, genius, and fame.
From the Trade Paperback edition.
Review: For music lovers, perfectionists, and estheticians, Thomas Bernhard's The Loser (1983) poses an irresistible drama of failed excellence. In 1953 three friends, among whom is the famed Glenn Gould, study with Horowitz. Rarely sleeping, hardly eating, they burn intensely with the white and ruthless flame of virtuosity. Only Gould ascends. But this is no conventional narrative--neat, action-driven, or linear. It opens with the specter of death--Gould's at 51, and a suicide. Art exalts even as it destroys, when the aspirant is found wanting. Both Wertheimer, the suicide, and the narrator turn their backs on their musical careers, thus triggering their process of "deterioration." What is the consequence of throwing it all away? And yet, what are the rewards of realized genius? After Gould becomes, indeed, Glenn Gould, the two friends go to visit him in Canada. "He had barricaded himself in his house. For life. All our lives the three of us have shared the desire to barricade ourselves from the world. All three of us were born barricade fanatics."
Bernhard fans will recognize the restrained rant, the execution of an idea carried to a logical, caustic extreme. The rant creates, of the novel, a grand philosophical speculation: What is devotion to one's art? What is it to truly understand one's art and to not misuse one's gift? And, alas, The Loser can also be read as the profound consequence of perfectionism, whereby all efforts to create or execute anything of note are squashed in the critical mind's ruthless self-scrutiny. The narrator works, for example, on his Glenn Gould essay for nine years, grateful, in the end, that he has published nothing. "How good it is that none of these imperfect, incomplete works has ever appeared, I thought, had I published them.... [T]oday I would be the unhappiest person imaginable, confronted daily with disastrous works crying out with errors, imprecision, carelessness, amateurishness." The one regenerative act seems to be that of self-destruction. Destruction, indeed, becomes the flip side of perfectionist rigor. Thomas Bernhard (1931-89) was his own unique genius and in The Loser, one of his most acclaimed novels, he creates a chilling portrait of tragic compulsion, teasing and testing our assumptions human behavior. --Hollis Giamatteo
Title: The Loser
Publisher: Quartet Books
Publication Date: 1992
Book Condition: Good
Book Description Quartet Books, 1992. Hardcover. Book Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition, fine in fine unclipped dw. No inscriptions.0045. Bookseller Inventory # ABE-15248471133
Book Description Quartet Books, 1992. Hardcover. Book Condition: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Bookseller Inventory # S_177069305
Book Description Quartet Books, 1992. Book Condition: Very Good. 1st. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. Bookseller Inventory # GRP95952384
Book Description Quartet Books, London, 1992. hardcover. Book Condition: Very Good. Dust Jacket Condition: Very Good. Trans: Jack Dawson (illustrator). Hardcover. In very good condition. The dust jacket shows a little shelf wear and a few creases. The boards are sound and the pages are clean and tightly bound. Used. Bookseller Inventory # 199884
Book Description Quartet Books, 1992. Hardcover. Book Condition: Near Fine. Dust Jacket Included. 1st Edition. 1st edition, 1st printing hardback in unclipped dustjacket. Book and jacket in near fine condition, with neat gift inscription on front endpaper. Not a book club edition, ex library or a remainder. Scans available on request. Bookseller Inventory # ABE-1485090385117
Book Description Quartet Books; London, 1992. Hardcover. Book Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Quartet Books. London. 1992. First British Edition Hardcover-- black cloth-- in NEAR FINE Condition in VERY GOOD unclipped Dustjacket showing minor shelf wear, rubbing. INTERIOR PRISTINE: clean, tight, bright. Carefully shipped in secure parcel. Bookseller Inventory # 509825
Book Description Quartet Books, 1992. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110704370123
Book Description Quartet Books, 1992. Hardcover. Book Condition: Good. 1st. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Bookseller Inventory # 0704370123
Book Description Quartet Books, 1992. Hardcover. Book Condition: New. book. Bookseller Inventory # M0704370123