This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: The title of this work comes from the name of a sculpture Bourgeois did following the death of her husband in 1973. The book contains both formal texts and what the author calls 'pen-thoughts": drawing texts often connected to her drawings and sculptures, with stories or poems inscribed alongside the images. 120 illustrations. Bookseller Inventory #
edited by Marie-Laure Bernadac and Hans-Ulrich Obrist"Everyday you have to abandon your past or accept it and then if youcannot accept it, you become a sculptor."Since the age of twelve, the internationally renowned sculptor LouiseBourgeois has been writing and drawing ;first a diary preciselyrecounting the everyday events of her family life, then notes andreflections. Destruction of the Father ;the title comes fromthe name of a sculpture she did following the death of her husband in1973 ;contains both formal texts and what the artist calls"pen-thoughts": drawing-texts often connected to her drawings andsculptures, with stories or poems inscribed alongside the images.Writing is a means of expression that has gained increasing importancefor Bourgeois, particularly during periods of insomnia. The writing iscompulsive, but it can also be perfectly controlled, informed by herintellectual background, knowledge of art history, and sense ofliterary form (she has frequently published articles on artists,exhibitions, and art events). Bourgeois, a private woman "withoutsecrets," has given numerous interviews to journalists, artists, andwriters, expressing her views on her oeuvre, revealing its hiddenmeanings, and relating the connection of certain works to the traumasof her childhood. This book collects both her writings and her spokenremarks on art, confirming the deep links between her work and herbiography and offering new insights into her creative process.
About the Author: Hans Ulrich Obrist is a Swiss-born curator and writer. He is the co-director of exhibitions and programs and the co-director of international projects at the Serpentine Galleries, London. His previous books include "A Brief History of Curating";" "A" Brief History of New Music";" Everything You Always Wanted to Ask About Curating But Were Afraid to Ask";" Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground;" "Ai Weiwei Speaks", " "and nearly thirty volumes of his Conversation Series of interviews with contemporary artists.
Book Condition: Used
Book Description The MIT Press in association with Violette Editions, 1998. Soft cover. Condition: Very Good. Light rubbing to the wrappers, and a few faint scratches. Very slight spine slant, but the binding is quite tight and sound. Previous owner's name and number in pen at the bottomInterior is clean and unmarked throughout, no writing or highlighting. Seller Inventory # P0009
Book Description The MIT Press, 1998. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 0262522462-2-4
Book Description The MIT Press 1998-05-22, 1998. Paperback. Condition: good. First U.S. Edition. 0262522462. Seller Inventory # 677594
Book Description The MIT Press, 1998. Paperback. Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Seller Inventory # P020262522462
Book Description The MIT Press, 1998. Paperback. Condition: Like New. Almost new condition. Seller Inventory # P010262522462
Book Description The MIT Press, 1998. Paperback. Condition: New. Never used!. Seller Inventory # P110262522462
Book Description Condition: Muy Bueno / Very Good. Seller Inventory # 100000000682749