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Lucian Freud on Paper

Lucian Freud (artist); Sebastian Smee (intro); Richard Calvocoressi (essay);

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ISBN 10: 0847832333 / ISBN 13: 9780847832330
Published by Rizzoli, 2009
New Condition: New Hardcover
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Dan Pope Books
West Hartford, CT, U.S.A.

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AbeBooks Seller Since October 12, 2002

About this Item

NEW YORK: Rizzoli [2009]. First edition. First printing. Hardbound. New in dust jacket. A pristine unread copy. Comes with mylar dust jacket cover. Shipped in well padded box. Smoke-free, defect-free. This book was purchased new and shelved, untouched since then. Never opened, still in shrinkwrapper! 11 x 11. 264 pages. 200 llustrations. ART. A definitive survey of drawings, etchings and other works on paper by Lucian Freud. 0.0. Bookseller Inventory # 07-2013-403

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Bibliographic Details

Title: Lucian Freud on Paper

Publisher: Rizzoli

Publication Date: 2009

Binding: Hardcover

Book Condition: New

Dust Jacket Condition: New

Edition: 1st Edition....

About this title

Synopsis:

Lucian Freud is widely regarded as one of the greatest living artists, and drawing is fundamental to his development as an artist and to how he sees. Speaking recently about his early years he claimed, "I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing." Drawing became an important part of Freud’s life from the start and a famous sketchbook, The Freud-Schuster Book, has survived dating back to January 1940, when Freud was in Snowdonia with Stephen Spender, as do sketches from Freud’s life as a merchant seaman on a cargo vessel in the Atlantic in 1941. His then surreal style lent itself to illustrations and his fascination with animals, birds, and fish was revealed in the famous line drawings he produced for Nicholas Moore’s book of poems, The Glass Tower (1944). This volume charts Freud’s work on paper, including the etchings, over his entire career. It includes the formative early work, the sketches in preparation for painting his masterpiece, Large Interior W11 (after Watteau) (1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years. The works on paper are an extraordinary achievement, providing even deeper insights into the work of perhaps the greatest figurative artist of our time.

About the Author:

Richard Calvocoressi was for many years Director of the Scottish National Gallery of Modern Art and is now Director of the Henry Moore Foundation. Sebastian Smee has written frequently on Freud. He is the author of Lucian Freud 1996–2005 and Freud at Work.

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