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THE MATRIX OF MODERNISM: POUND, ELIOT, AND EARLY TWENTIETH-CENTURY THOUGHT

Sanford Schwartz

3 ratings by Goodreads
ISBN 10: 0691014469 / ISBN 13: 9780691014463
Published by Princeton Univ Pr, US, 1988
Used Condition: m040314 Soft cover
From Atlanta Vintage Books (Atlanta, GA, U.S.A.)

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No markings from previous owners. Pages are clean, binding is sound. Text block is clean. Spine is uncreased. Covers are clean and bright with some slight edge wear. Text block is lightly foxed. Bookseller Inventory # 86045

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Bibliographic Details

Title: THE MATRIX OF MODERNISM: POUND, ELIOT, AND ...

Publisher: Princeton Univ Pr, US

Publication Date: 1988

Binding: Soft Cover

Illustrator: Near Fine

Book Condition:m040314

Dust Jacket Condition: No Dust Jacket

Edition: First Paperback Edition

About this title

Synopsis:


Sanford Schwartz situates Modernist poetics in the intellectual ferment of the early twentieth century, which witnessed major developments in philosophy, science, and the arts. Beginning with the works of various philosophers--Bergson, James, Bradley, Nietzsche, and Husserl, among others--he establishes a matrix that brings together not only the principal characteristics of Modernist/New Critical poetics but also the affiliations between the Continental and the Anglo-American critical traditions.


Originally published in 1985.


The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


From the Inside Flap:


"This book makes a strong case for a radical revision of current views of the philosophy of modernism and also of the relation of that philosophy to the post-phenomenological fashions of the present time. . . . I am very impressed."--Frank Kermode


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