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Mad Dogs of Trieste

Vega, Janine Pommy

10 ratings by Goodreads
ISBN 10: 1574231278 / ISBN 13: 9781574231274
Published by Black Sparrow Press, 2000
New Condition: New Hardcover
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About this Item

Santa Rosa: Black Sparrow Press, 2000. 1st edition. Hardbound. Signed by Author, one of 100 numbered copies; this is copy number 75. Bookseller Inventory # 6601

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Bibliographic Details

Title: Mad Dogs of Trieste

Publisher: Black Sparrow Press

Publication Date: 2000

Binding: Hardcover

Book Condition:New

Dust Jacket Condition: New

Signed: Signed by Author(s)

Edition: 1st Edition...

About this title

Synopsis:

Janine Pommy Vega is the archetypal New York Beat. Her poetry is intelligent and politically aware, and her performances in English and in Spanish, with and without music are intense, incantatory. Her writings are also intensely autobiographical, following closely in the footsteps of her life-journey: they are the poetic record of her experience-hungry travels through the world and her spiritual retreats into herself; her work with public school children and delinquent youth, and with the inmates and staff of the New York State prison system; her friendships and her love affairs, her farewells and her lingering memories. For this major retrospective volume, she has selected the best lyrics, protests, portraits, and elegies from her first twenty-five years of writing. The result is "an honest and passionate road map to her soul," said the American Book Review, "a book describing one poet's life as a pilgrimage toward herself. It is an exhilarating trip."

From Publishers Weekly:

Associated with poets growing out of the Beat movement, Vega's verse is at the well-measured and understated end of its spectrum. This 12th collection presents a generous cull of her work from the '70s, '80s and '90s,invoking the direct, even neoclassical energies felt within Corso and di Prima, and fortified by a Keatsian living lyricism. In "Little Ghost in the Station," she writes, "`Poor John is dead,' he sang,/ and now it was winter, quiet at the window,/ and she did not need a cigarette/ she needed to weep." A member of PEN's Prison Writing Committee, Vega has taught poetry in prisons for twenty years and is currently director of Incisions/Arts, an organization of writers working with people in prison. Some of Vega's overtly political poems reflect a deeply felt and aching knowledge that has tempered and fortified a poignant view of nature, human or otherwise: "just because fields are ready for/ planting doesn't mean/ the corn's already down there, green and/ waiting, or that raccoons will scream/ at night, their hands heavy with plunder/ might, might not be/ might, might not, the chattering crows/ wheel off." In other poems there is a note of passionate response to the death of the speaker's father, mother, friends, that show death as a natural fulfillment life. In a heartfelt elegy for Allen Ginsberg she writes, "Don't be sorry, you said, speaking/ of your death,/ I've been waiting all my life for this." Spanning over three decades and four continents--stops include Mexico, El Salvador, the former Czechoslovakia, Peru, Ireland, France, Holland, and all manner of locations in the U.S. and upstate New York--Vega's poems "go," (as Kerouac said, but with a difference) in their own patient, unadorned and dignified way. (Aug.)

Copyright 2000 Cahners Business Information, Inc.

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