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Marcel Duchamp

Duchamp, Marcel; Schwarz, Arturo

ISBN 10: 0810900874 / ISBN 13: 9780810900875
Published by Abrams, 1975
New Condition: New Hardcover
From Penobscot Books (Searsport, ME, U.S.A.)

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About this Item

NEW BOOK and DJ (both 'Old Stock,' 1975; not pre-owned) in excellent condition considering they are over 40 years old. Protected with new Mylar sleeve. // At this age, and in this superior condition, we are quite sure no finer copy will be found. // Clothbound hardcover, Unpaginated text, followed by 211 illustrations. // Classic Duchamp, and your Library wants this book. Now. Size: Quarto. Bookseller Inventory # 000343

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Bibliographic Details

Title: Marcel Duchamp

Publisher: Abrams

Publication Date: 1975

Binding: Clothbound Hardcover

Book Condition:New

Dust Jacket Condition: New

About this title


A one-time Fauvist, Cubist, Dadaist, and Surrealist, but an eternal chess player, Marcel Duchamp remains the avant-garde figure beyond all avant-garde figures of the past century. Provocative and brilliant, he radically challenged and changed accepted notions of art and its manufacture, and of the relationship between art and life. Marcel Duchamp, published on the occasion of an exhibition at the Jean Tinguely Museum in Basel under the curatorship of Harald Szeeman, endeavors to trace the different periods of Duchamp's oeuvre by means of a selection of his work focused mainly on those aspects that influenced Tinguely's own oeuvre. Additionally, the publication contains statements by Duchamp and essays by renowned Duchamp scholars on such topics as the emergence and development of the ready-made concept and its impact on the art of the 1960s.

About the Author:

One of the most controversial and influential artists of the 20th century, Marcel Duchamp, a.k.a. Rrose SÚlavy and R. Mutt, was born in 1887 in Blainville, France. The brother of artists Raymond Duchamp-Villon and Jacques Villon, Duchamp himself began to paint in 1908. After producing several canvases in the current mode of Fauvism, he turned toward experimentation and the avant garde, producing one of his most famous works, the cubist "Nude Descending a Staircase, No. 2" (1912), which caused a furor in New York at the 1913 Armory Show. He painted very little after 1915, with the notable exception of his most challenging work, "Bride Stripped Bare by Her Bachelors, Even" (1915-1923). Perhaps his most important legacy was the ready-made, a radical rethinking of the artwork initiated by Duchamp with his "Fountain" (1917), which consisted of a mass-produced ceramic urinal, turned upside down, signed "R. Mutt," and exhibited in a gallery setting. After his brief creative period, Duchamp virtually retired from the art world and spent the remainder of his life playing chess. He died in Paris in 1968.

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