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Mary Cassatt, Modern Woman

Cassatt, Mary, Barter, Judith A., Hirshler, Erica E.

9 ratings by Goodreads
ISBN 10: 0865591660 / ISBN 13: 9780865591660
Published by Art Inst of Chicago Museum Shop, 1998
Used Condition: Very Good
From Better World Books (Mishawaka, IN, U.S.A.)

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Great condition for a used book! Minimal wear. Bookseller Inventory # GRP83332385

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Bibliographic Details

Title: Mary Cassatt, Modern Woman

Publisher: Art Inst of Chicago Museum Shop

Publication Date: 1998

Book Condition:Very Good

About this title

Synopsis:

Traces the notable American female artist's influences and her role in American art

Review:

Mary Cassatt: Modern Woman is the extensive, beautifully produced, coffee-table-size catalog of an exhibition of the same name at the Art Institute of Chicago in the fall of 1998. It is filled with 100 color plates and scores of other pictures, including Cassatt family snapshots, images of works by Cassatt's teachers and influential associates, postcards, and other related personal and historical items. Included too are six essays, on topics ranging from Cassatt's "modern education" to her intelligent guidance of the wealthy American art-lovers who later bequeathed their impressive impressionist collections to several major United States museums. While each has much to offer, Kevin Sharp's essay "How Mary Cassatt Became an American Artist" is particularly interesting and has great narrative flair. The sections on Cassatt's alternately infuriating and gratifying relationship with the legendary Paris dealer Paul Durand-Ruel are page-turners.

Readers who are mostly lookers, and who intend to spend their time with the large color plates, will also be amply rewarded. These do full justice to Cassatt's draftsmanship, color, and design, while reaffirming her as the warmly empathetic, but thoroughly unsentimental, observer of young mothers and their plump, beloved babies. The book has but one tiny defect, which will irritate only the most casual readers: its captions for the most part give only minimally identifying information for the people, paintings, and places pictured. When the plates and illustrations are not adjacent to the germane parts of the text, readers must peruse the essays in order to understand their significance. --Peggy Moorman

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