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In a February 1966 letter to her artistic confidant, Robert Lowell, Elizabeth Bishop tellingly grouped four midcentury poets: Lowell, Randall Jarrell, John Berryman, and herself. For Bishop--always wary of being pigeonholed and therefore reticent about naming her favorite contemporaries--it was a rare explicit acknowledgment of an informal but enduring artistic circle that has evaded the notice of literary journalists for more than forty years. Despite the private nature of their dialogue, the group's members--Bishop, Lowell, Jarrell, and Berryman--left a compelling record of their mutual interchange and influence. Drawing on an extensive range of published and archival sources, Thomas Travisano traces these poets' creation of a surprisingly coherent postmodern aesthetic and defines its continuing influence on American poetry.
The refusal of this "midcentury quartet," as Travisano calls them, to voice a formalized doctrine, coupled with their intuitive way of working, has caused critics to miss the coherence of their project. Travisano argues that these poets are not only successors to Pound, Auden, Stevens, and Eliot but postmodern explorers in their own right. In forging their own aesthetic, characterized here as a postmodern mode of elegy, they encountered significant resistance from their immediate modernist mentors Allen Tate, John Crowe Ransom, and Marianne Moore.
Jarrell, whom others of the group regarded as a critic of particular genius, was first described as a post-modernist in a 1941 review by Ransom that Travisano cites as the earliest known use of the term. In Jarrell's review of Lowell's Lord Weary's Castle six years later, he named Lowell a postmodernist and identified traits, among them the use of pastiche, that are now considered by theorists such as Fredric Jameson as specifically postmodern. And Bishop's inventiveness allowed her to adapt a self-exploratory mode often, but imprecisely, termed confessional to challenging forms such as the double sonnet, villanelle, and sestina.
Each of these poets suffered a devastating loss during childhood and lived through the twentieth-century disasters of the Great Depression, World War II and the Holocaust, and the cold war. The continual tension in their poetry between subjectivity and form, claims Travisano, reflects the plight of the fractured individual in a postmodern world. By arguing so sharply for the importance of this circle, Midcentury Quartet is certain to redraw the map of postwar American poetry.
About the Author:
Thomas Travisano is Cora A. Babcock Professor of English at Hartwick College in Oneonta, New York. He is author of Elizabeth Bishop: Her Artistic Development (Virginia, 1988) and co-editor of Gendered Modernisms: American Women Poets and Their Readers.
Title: Midcentury Quartet: Bishop, Lowell, Jarrell,...
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Book Description University of Virginia Press, U.S.A., 1999. Hardcover. Book Condition: Fine. Dust Jacket Condition: Fine. clean, unmaked copy. Bookseller Inventory # 357943
Book Description University Press of Virginia, 1999. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition... NEW/UNUSED/UNOPENED/UNMARKED from the Publisher. In the Original Publisher's Shrink-Wrap. Not a Remainder, Return, or Previously Owned. U.S. Domestic Tracking/Confirmation Included. Will Ship International, APO/FPO/DPO, PO Boxes, all US 50 States/Territories, and Priority. All orders are packed carefully/securely, with packing materials for quality control, so your order is received as described or better, and shipped directly from our facility to provide fast/personal service. We do our best to ship before expected shipping date and provide honest descriptions. Please contact us anytime for assistance. Thank you for your business! *GIFT? Please contact us for a free personalized card or note with your order. If you have any other requests, please inquire so we may provide you the best assistance.* [Product Description: In a February 1966 letter to her artistic confidant, Robert Lowell, Elizabeth Bishop grouped four mid-century poets: Lowell, Randall Jarrell, John Berryman, and herself. Despite the private nature of their dialogue, and that each of these poets lived through the Great Depression, World War II the Holocaust, and the cold war, left a record of their mutual interchange and influence. Drawing on an extensive range of published and archival sources, Thomas Travisano traces these poets' creation of a postmodern aesthetic and defines its continuing influence on American poetry.] Language: eng Language: eng Language: eng. Bookseller Inventory # ABE-583259361
Book Description University Of Virginia Press, Charlottesville and London, 1999. Hard Cover. Book Condition: As New. Dust Jacket Condition: Almost Like New. First Printing. Book is a clean tight unmarked copy. University Press. Bookseller Inventory # 022528
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Book Description University of Virginia Press, 1999. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110813918871