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Midnight Magic : Selected Short Stories of Bobbie Ann Mason

Mason, Bobbie Ann

38 ratings by Goodreads
ISBN 10: 0880015950 / ISBN 13: 9780880015950
Published by HarperTrade, New York, NY, U.S.A., 1999
Condition: Fine Hardcover
From Kennedy Books (Jamestown, ND, U.S.A.)

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A fine unread copy protected by Brodart Archival cover. Size: 8vo - over 7¾" - 9¾" tall. Bookseller Inventory # 000191

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Bibliographic Details

Title: Midnight Magic : Selected Short Stories of ...

Publisher: HarperTrade, New York, NY, U.S.A.

Publication Date: 1999

Binding: Hard Cover

Book Condition:Fine

Dust Jacket Condition: Fine

Signed: Signed by Author

Edition: First Edition.

About this title


Featuring an introduction by the author, this timeless collection chronicles the lives of contemporary people as they confront our perplexed society.


Readers of Bobbie Ann Mason looking for something new won't find it in Midnight Magic; this collection of 17 stories culled from two previous collections, Shiloh and Other Stories and Love Life, is more likely to satisfy fans who can be content with a compendium of greatest hits. Since her debut in the early '80s, Mason has been part of a group of writers from the new South--authors who, though they share the same geography with old masters like William Faulkner and Flannery O'Connor, bring an entirely different perspective to it. Gone are the pages-long parenthetical paragraphs of Faulkner; gone are O'Connor's acute renderings of Southern psychology. Mason's characters wouldn't recognize psychology if it rose up and bit them on the keister. This is a world of shopping malls, daytime TV, and unsteady employment, an ethos in which not-so-genteel poverty extends to the imagination as well as the bank account. Brand names and the titles of television shows serve as mile-markers in these stories, and Mason's (often) unemployed heroes and big-haired heroines are only vaguely aware of living lives of quiet desperation. Mason draws these portraits of real life with precision; her accretion of details work hard to bring the reader so deeply into the picture that you can see the crumbs of Wonderbread on the Formica countertops and smell the stale Old Milwaukee on the Sunday morning after Saturday night. Yet as precise and colorful as Mason's images are, in the end they are much like photographs--remarkable in the clarity of what they show, yet only hinting at what goes on in the hearts and minds inside the characters they portray.

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