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Gordon, Robert and Andrew Forge

30 ratings by Goodreads
ISBN 10: 0810980916 / ISBN 13: 9780810980914
Published by Abradale Press - Harry N. Abrams, Inc. Publishers, New York, 1989
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About this Item

First edition. 304 pages printed on slick heavy paper. 365 illustrations. 130 color plates. Many never before published in color. Several fold-out plates. Heavy folio 13" x 10 1/2". Yellow cloth stamped in red. 9 chapters. List of illustrations. Biblio. Index. Text clean, tight and bright. Dust jacket spine faded a little. near Fine/Very good condition. Bookseller Inventory # 018276

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Bibliographic Details

Title: Monet

Publisher: Abradale Press - Harry N. Abrams, Inc. Publishers, New York

Publication Date: 1989

Binding: Hardcover

Dust Jacket Condition: Dust Jacket Included

Edition: 1st Edition

About this title


Examines the works of Monet from a new perspective, and traces the changes in his style as brought about by the changes and problems in his personal life

From the Publisher:

The second in a series of scholarly catalogs on the permanent collections of The Art Institute of Chicago, this volume focuses on the museum's important holdings of French and British paintings of the seventeenth and eighteenth centuries. The catalog contains comprehensive entries on close to one hundred paintings, representing the full range of artistic production (portraiture, landscape, still life, genre, and history painting) in France and Britain during this period. Featured are major works by some of the most significant artists of the time: Jacques Louis David, Jean Honore Fragonard, Claude Lorrain, Nicolas Poussin, and Jean Antoine Watteau among the French; Henry Fuseli, Thomas Gainsborough, Sir Joshua Reynolds, and Benjamin West among the British.

Each painting in the catalog is accompanied by complete and uptodate documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Fortyone works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.

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