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Monet on the Normandy Coast: Tourism and Painting, 1867-1886

Herbert, Robert L.

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ISBN 10: 0300059736 / ISBN 13: 9780300059731
Published by Yale University, Connecticut, 1994
Condition: Very Good Hardcover
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A clean, unmarkedcopy in excellent condition with a mylar cover. Bookseller Inventory # 005475

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Bibliographic Details

Title: Monet on the Normandy Coast: Tourism and ...

Publisher: Yale University, Connecticut

Publication Date: 1994

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Very Good

Edition: 1st Edition

About this title


In this magnificently illustrated book, Robert L. Herbert, author of the acclaimed Impressionism: Art, Leisure, and Parisian Society, presents a new interpretation of Monet's beautiful seascapes of the Normandy coast. Discussing more than fifty works, Herbert shows how these splendid pictures of Etretat and other resorts reflect the dialogue between the modern city and pre-modern nature that underlay tourism. Interweaving the colorful history of sea resorts, stylistic analysis, details of Monet's life, and reflections on the marketing of his art, this book offers a fascinating new perspective on some of the artist's most beloved works.
Herbert points out that in early paintings at Sainte-Adresse and Trouville Monet represented vacationers and resort leisure, but when he returned to the Normandy coast in the early 1880s, he painted lonely views that eliminated all signs of tourism. He shows that generations of vacationers seeking these views had transformed fishing villages into resorts, even as they wished to preserve the illusions of a pre-modern seacoast. Monet's modernity lay in the production of neo-romantic myths, illusions of spontaneous responses to untouched nature that were welcomed by Parisian galleries and international collectors. At the same time, Herbert notes, modernity is also found in Monet's evocative brushwork and color and in his dramatic bird's-eye views, which speak to modern culture's search for personal release from the workplace.

About the Author:

Robert L. Herbert, is a Professor of Art on the Alumnae Foundation at Mount Holyoke College.

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