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Moses: The Man and the Myth in Music (The Bible in the Modern World)

Leneman, Helen

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ISBN 10: 1909697443 / ISBN 13: 9781909697447
Published by Sheffield Phoenix Press Ltd, U.S.A., 2014
New Condition: New Hardcover
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Bibliographic Details

Title: Moses: The Man and the Myth in Music (The ...

Publisher: Sheffield Phoenix Press Ltd, U.S.A.

Publication Date: 2014

Binding: Hard Cover

Book Condition:New

Dust Jacket Condition: No Jacket

About this title


With this book, Leneman completes a trilogy on musical interpretations of biblical narratives. Her previous books were Love, Lust, and Lunacy: The Stories of Saul and David in Music (2010) and The Performed Bible: The Story of Ruth in Opera and Oratorio (2007). Moses has often been thought of more as a myth than as a man. Later retellings of his story-particularly in operas and oratorios-demythologize him, portraying him and all the characters surrounding him on a more human scale. Moses the statue comes down from his pedestal and becomes a living man. For example, in the Bible the primary relationship of Moses is with God; secondarily it is with the people of Israel, rather than with individuals. In opera and the many oratorio settings the figure of Moses is enhanced by his representation as a man with many emotional ties-to Zipporah, Miriam or Aaron, or to all three. Re-reading and re-telling biblical narratives through musical settings gives voice to often silent biblical characters, offering the reader and listener unexpected ways to hear and understand their story. In Moses: The Man and the Myth in Music, highlighting how Moses was richly imagined in oratorios and operas, Leneman discusses 16 operas and oratorios from the eighteenth to the twentieth century-including works by Handel, Rossini, Saint-SaŽns, Massenet, Schoenberg and more obscure composers whose music has seldom or never been explored. Through music, the listener can hear and also feel the suffering of the Israelites; the passion of Moses as leader, liberator, and even lover; the intensity of Miriam's vision and commitment; and the whole range of emotion experienced by every character that inhabits this story. The music and librettos not only fill in the spaces between the lines, but go beyond the margins of the biblical text to conjure up a multi-dimensional world.

About the Author:

Cantor Helen Leneman's specialty is bar/bat mitzvah education. She has worked as a cantor and a b'nai mitzvah teacher in Los Angeles, Baltimore and the greater Washington, DC, area. For several years she chaired the B nai Mitzvah Educators Network of CAJE. The Network has over 300 members in the U.S. and abroad. She has a BA from UCLA and an MA in Judaic studies from Hebrew Union College Jewish Institute of Religion, and studied cantorial liturgy with cantors Allan Michelson (z"l) and William Sharlin. She is the author of Bar/Bat Mitzvah Education: A Sourcebook. She is an associate member of the American Conference of Cantors, and a member of the Society of Biblical Literature. Cantor Leneman directs an outreach program for unaffiliated families who wish to celebrate their children s becoming bar or bat mitzvah. She lives with her family in Rockville, Maryland.

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