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Mulligan Stew

Sorrentino, Gilbert

ISBN 10: 0330264443 / ISBN 13: 9780330264440
Published by Picador/Pan Books, 1979
Used Condition: Very Good Soft cover
From Bingo Used Books (Vancouver, WA, U.S.A.)

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Trade paperback in very good condition. A couple pages have writing. Bookseller Inventory # 105606

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Bibliographic Details

Title: Mulligan Stew

Publisher: Picador/Pan Books

Publication Date: 1979

Binding: Soft cover

Book Condition:Very Good

About this title

Synopsis:

Widely regarded as Sorrentino's finest achievement, ?"Mulligan Stew"?takes as its subject the comic possibilities of the modern literary imagination. As avant-garde novelist Antony Lamont struggles to write a "new wave murder mystery," his frustrating emotional and sexual life wreaks havoc on his work-in-progress. As a result, his narrative (the very book we are reading) turns into a literary "stew" an uproariously funny melange of journal entries, erotic poetry, parodies of all kinds, love letters, interviews, and lists--as Hugh Kenner in "Harper's" wrote, "for another such virtuoso of the List you'd have to resurrect Joyce." Soon, Lamont's characters (on loan from F. Scott Fitzgerald, Flann O'Brien, James Joyce, and Dashiell Hammet) take on lives of their own, completely sabotaging his narrative. Sorrentino has vastly extended the possibilities of what a novel can be in this extraordinary work, which both parodies and pays homage to the art of fiction.

From the Back Cover:

Mulligan Stew takes as its subject the comic possibilities of the modern literary imagination. As avant-garde novelist Antony Lamont struggles to write a "new wave murder mystery", his frustrating emotional and sexual life wreaks havoc on his work-in-progress. As a result, his narrative (the very book we are reading) turns into a literary "stew": an uproariously funny melange of journal entries, erotic poetry, parodies of all kinds, love letters, interviews, and lists - as Hugh Kenner in Harper's wrote, "for another such virtuoso of the List you'd have to resurrect Joyce". Soon Lamont's characters (on loan from F. Scott Fitzgerald, Flann O'Brien, James Joyce, and Dashiell Hammett) take on lives of their own, completely sabotaging his narrative.

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