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Music, Thought, and Feeling: Understanding the Psychology of Music

Thompson, William Forde

1 ratings by Goodreads
ISBN 10: 0195140850 / ISBN 13: 9780195140859
Published by Oxford University Press, 2008
Used Condition: Good
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Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP88470308

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Bibliographic Details

Title: Music, Thought, and Feeling: Understanding ...

Publisher: Oxford University Press

Publication Date: 2008

Book Condition:Good

Edition: 1st Edition.

About this title

Synopsis:

Examining the intersection of music, psychology, and neuroscience, Music, Thought, and Feeling surveys the rapidly growing field of music cognition and explores its most interesting questions. Written in clear, engaging language that balances scientific and artistic perspectives, this book provides an excellent introduction to--and critical analysis of--the major issues in music cognition, making it ideal for courses in psychology of music.

Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior. It also covers:

* How humans perceive music
* Links between music and emotion
* Modern neuroimaging techniques and what they tell us about music's effect on the brain
* Psychological processes involved in imagining, composing, and performing music
* Potential cognitive benefits of musical engagement

Music, Thought, and Feeling references numerous "Sound Examples" and is supplemented by a companion website (www.oup.com/us/Thompson) containing an extensive collection of music sample audio files, most created specifically for this book. In addition, the website provides a link to iTunes, where readers can access an iMix created to accompany the book.

About the Author:


William Forde Thompson is Professor of Psychology at Macquarie University, where he conducts research on music, emotion, and performance. He is President of the Society for Music Perception and Cognition (2006-2008), Associate Editor at Music Perception, and Editor of Empirical Musicology Review.

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