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On the Natural History of Destruction (Mint First Edition)

W.G. Sebald

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ISBN 10: 0375504842 / ISBN 13: 9780375504846
Published by Random House, 2003
New Condition: New Hardcover
From Dan Pope Books (West Hartford, CT, U.S.A.)

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About this Item

New York: Random House (2003). First U.S. edition, first printing. Hardbound. A tight, clean copy, unread, without flaws, never opened. With mylar dust jacket protector. Translated by A. Bell. 0.0. Bookseller Inventory # ws61

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Bibliographic Details

Title: On the Natural History of Destruction (Mint ...

Publisher: Random House

Publication Date: 2003

Binding: Hardcover

Book Condition:New

Dust Jacket Condition: New

Edition: 1st Edition....

About this title

Synopsis:

W.G. Sebald completed this extraordinary and important -- and already controversial -- book before his untimely death in December 2001.

On the Natural History of Destruction
is W.G. Sebald’s harrowing and precise investigation of one of the least examined “silences” of our time. In it, the acclaimed novelist examines the devastation of German cities by Allied bombardment, and the reasons for the astonishing absence of this unprecedented trauma from German history and culture.

This void in history is in part a repression of things -- such as the death by fire of the city of Hamburg at the hands of the RAF -- too terrible to bear. But rather than record the crises about them, writers sought to retrospectively justify their actions under the Nazis. For Sebald, this is an example of deliberate cultural amnesia; his analysis of its effects in and outside Germany has already provoked angry and painful debate.

Sebald’s incomparable novels are rooted in meticulous observation; his essays are novelistic. They include his childhood recollections of the war that spurred his horror at the collective amnesia around him. There are moments of black humour and, throughout, the unmatched sensitivity of Sebald’s intelligence. This book is a vital study of suffering and forgetting, of the morality hidden in artistic decisions, and of both compromised and genuine heroics.

From the Back Cover:

"Most writers, even good ones, write of what can be written; and move by their own angles into the discourse of their day. The very greatest write of what cannot be written; gravitating not toward the discourse but toward the silence. They break it, like the crust on untrodden snow. I think of [Anna] Akhmatova and Primo Levi, for example, and of W. G. Sebald, who died in 2001."
-Richard Eder, The New York Times Book Review

"
Sebald is the real thing. . . . Sublime."
-The Globe and Mail

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