0801857201 1998; white, glossy paperback; minimal wear on cover; one price sticker on front cover and one sticker on back cover; bottom edges of pages lightly soiled; interior bright, clean, and unmarked; 8vo, 7 3/4" to 9 3/4" tall; 86 pages. Bookseller Inventory #
How does a photograph "work"? In this book, internationally acclaimed photographer Stephen Shore brings together more than fifty images (by such photographers as Walker Evans, Eugène Atget, Robert Adams, Diane Arbus, Frank Gohlke, Lee Friedlander, Edward Weston, Robert Frank, William Eggleston, and Jan Groover) to illustrate a process of looking at and understanding photography. He traces the process by which the world in front of the camera is transformed into a photograph -- and how that photograph, in turn, is transformed into a mental image.
A photograph, Shore explains, can be viewed on several levels. First, it is a physical object, a print. On this print is an image, an illusion of a window onto the world. It is at this level that we "read" a picture and discover its content: a souvenir of an exotic land, the face of a lover, a wet rock, a landscape at night. This is the depictive level, in which the world is transformed into a photograph through qualities of flatness, frame, time, and focus. On a final level is the mental apprehension of the image, which joins the focus of lens, eye, attention, and mind.
Using these levels of seeing, Shore reveals how the qualities of a photograph create tension and meaning -- as the collapsing of depth creates new relationships, as lines and shapes in the image play against the frame, as focus creates barriers in the depth of an image, as the duration of exposure variously transforms the fluid world into a static piece of film. As the visual image continues to grow in importance as a medium of global communication, the skills and insights conveyed by this book will become increasingly relevant both to those who take photographs and those who view them.
An internationally acclaimed photographer explains the process of looking at and understanding photography.
Title: The Nature of Photographs
Publisher: The Johns Hopkins University Press
Book Condition: Very Good
Book Description Johns Hopkins University Press. Paperback. Book Condition: Good. Book has some visible wear on the binding, cover, pages. Bookseller Inventory # G0801857201I3N00
Book Description Johns Hopkins Univ Pr, Baltimore, 1998. First Edition. First softcover printing, very good with owner name. Bookseller Inventory # 025095
Book Description The Johns Hopkins University Press, 1998. Paperback. Book Condition: Very Good. very good paperback. Bookseller Inventory # 170610-MG1
Book Description The Johns Hopkins University Press, 1998. Book Condition: Very Good. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. Bookseller Inventory # GRP65470732
Book Description The Johns Hopkins University Press 1998-02-17, 1998. Paperback. Book Condition: good. 0801857201. Bookseller Inventory # 492849
Book Description Baltimore, The Johns Hopkins Press, 1998. Brossura. Book Condition: Ottimo (Fine). In cooperation with the Center for American Places, Harrisonburg, Virginia 1998. Text and photo editing by Stephen Shore. Foreword by James Enyeart. List of illustrations and a biography / Testo di Stephen Shore. Fotografie in bianco e nero e a colori selezionate a cura di Shore. Introduzione di James Enyeart (direttore del Marion Center of Photographic Art, College of Santa Fe). Edizione inglese. 8vo (cm 20x23). pp. 86. . Ottimo (Fine). . I ed., seconda ristampa (I ed., second printing). . Come "funziona" una fotografia? In questo libro Stephen Shore riunisce pi? di cinquanta immagini di fotografi del calibro di Walker Evans, Eugene Atget, Robert Adams, Diane Arbus, Frank Gohlke, Alfred Stieglitz, Lee Friedlander, Edward Weston, Robert Frank, William Eggleston e Jan Groover per illustrare il processo di guardare e capire una fotografia. Shore traccia il percorso mediante il quale il mondo di fronte alla macchina fotografica si trasforma in una fotografia - e come quella fotografia, a sua volta, si trasforma in una immagine mentale. Bookseller Inventory # 0000000204887
Book Description Johns Hopkins University Press, 1998. Softcover. Book Condition: Very Good. First Edition. Glossy paper cover, illustrated mainly with b/w photos but a few in color, 86 pages. Attractive copy. Cover has very light shelf wear. Text is clean. Scans available. USPS confirmation used on all shipments. Bookseller Inventory # 035924
Book Description The Johns Hopkins University P, 1998. Paperback. Book Condition: Very Good. Bookseller Inventory # P020801857201
Book Description Johns Hopkins University Press, Baltimore, 1998 First Paperback Edition., 1998. Large oblong 8vo. pp xvii, 86. Large format paperback. Illustrated in colour and b/w throughout. In this book, internationally acclaimed photographer Stephen Shore brings together more than 50 images (by such photographers as Walker Evans, Eugene Atget, Robert Adams, Diane Arbus, Frank Gohlke, Lee Friedlander and Jan Groover) to illustrate a process of looking at and understanding photography. ISBN: 0801857201 Fine. Bookseller Inventory # C37323
Book Description Johns Hopkins Univ Pr, Baltimore, 1998. First Edition. First softcover printing, slight bump to lower edge, quite good. Illustrated. Bookseller Inventory # 023145