Title: Getting Near to Baby (Signed)
Publisher: G. P. Putnam's Sons, New York
Publication Date: 1999
Book Condition: Fine
Dust Jacket Condition: Fine
Signed: Signed by Author(s)
Edition: First Edition.
Paper-covered boards with lettering stamped in silver on spine; illustrated dust jacket. Signed by Couloumbis on the title-page. Newbery Honor medal affixed to front panel of DJ. Bookseller Inventory # D1641
Synopsis: When twelve-year-old Willa Jo climbs onto the roof at Aunt Patty's house to see the sunrise, she never expects the conflicted feelings she's had for three weeks to crystallize into a stubbornness that will keep her there all day. But once she's up there, Willa Jo can't seem to come down. Coming down means having to explain herself. And how can she explain?
After Baby died, Little Sister stopped talking. Then Aunt Patty took the girls away from Mom to give her time to pull herself together. Aunt Patty has a million rules about everything, and she seems to have forgotten that Willa Jo and Little Sister are trying to cope with losing Baby, too. And missing Mom something fierce.
In this beautifully-structured novel--which takes place all in one day--two generations of big sisters struggle with what being a big sister means. Couloumbis masterfully shows us the pervasive feelings that can take hold when tragedy strikes and the slow, subtle healing that comes when one can finally get near to the source.
From the Author: Audrey Couloumbis on the writing process...
"While I'm writing, I don't worry about the usual character bio points, but there is another list of questions that I'm asking myself:
"10 observations this character would make
10 things he or she would fight for
10 decisions he or she would make
what he or she thinks about when daydreaming
5 sensitivities, and how they developed
5 of their personal childhood horrors
5 intentions they have, maybe 10
5 reasons for something they do or something about their appearance that is directly related to the story
"They may not all directly pertain to the story being told, but they tell me a lot about the character, just like they would tell me a lot about my friends.
"For me, if the character won't come, I'll write something else entirely, but I'll write twice as much. I'll write on how to write. In this very sure and certain voice that thinks it knows something. I'll write on what makes people read. I'll write on how to write fairy tales. I'll write about conflict or plot until I learn something about it, coughing up some of that internalized information like a cat's hairball. I'll write letters to the people I trade manuscripts with, critiquing their work if I'm not making progress on mine. I ignore my uncooperative characters entirely.
"If that doesn't work in a few days, I stop reading or writing anything else. I don't watch TV or movies. I do housework or gardening. And pretty soon, my characters come back muttering about a missed lunch. And we fry half a pound of bacon, or make popcorn, or get bags and bags of peanut M&M's and settle down in front of the computer."
Audrey Couloumbis was born in Illinois. She currently lives in upstate New York with her husband.
Copyright © 2000 by Penguin Putnam Books for Young Readers. All rights reserved.
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