New York Dada 1915-23

Francis M. Naumann

Published by Harry N. Abrams, 1994
ISBN 10: 0810936763 / ISBN 13: 9780810936768
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Synopsis: For about ten years, beginning with the Armory Show in 1913, New York City was host to the odd-sounding accents and queerer-looking paintings and constructions of a mixed bag of European and American avant-gardists. Besides the inscrutable figure of artist Marcel Duchamp, the European contingent included such iconoclastic visitors as the playboy painter Francis Picabia, the composer Edgard Varese, the diplomat Henri-Pierre Roche (author of Jules et Jim and adviser to the extraordinary collector John Quinn), and painters Albert Gleizes and Jean Crotti. Among the Americans were the photographer/painter/constructor Man Ray, the Precisionist painter and Fortune photographer Charles Sheeler, the Futurist Joseph Stella, and the Pennsylvania artists Charles Demuth and Morton Schamberg. New York Dada is the first comprehensive study devoted exclusively to the accomplishments of these vanguard artists in America in the period 1915-23 - among the most underappraised, though most influential periods in the history of American art. Within months after the word "Dada" was discovered by a group of refugee artists and writers living in Switzerland, news of the movement reached artists in New York, who, by then, had already made works of art and engaged in activities that were similar in spirit to those produced by their European counterparts. For this groundbreaking book, Francis M. Naumann has interviewed virtually all the survivors and has amassed a wealth of rare photographs and newspaper clippings, including pictures of early installations of modern art in homes and exhibitions, to capture the spirit of New York Dada in a work that is both informative and captivating. In view of the current trendto investigate the potential of a conceptually oriented approach to art and to the art-making process, it is perhaps no coincidence that New York Dada is now finally recognized for the important role it played in the formative phases of a modernist aesthetic.

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Title: New York Dada 1915-23
Publisher: Harry N. Abrams
Publication Date: 1994
Binding: Hardcover
Book Condition: Used: Good

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Naumann, Francis M. With Venn, Beth
Published by Abrams, New York (1994)
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Book Description Abrams, New York, 1994. Hard Cover. Book Condition: Near Fine. Dust Jacket Condition: Very Good. 255 pages, 220 plates including 42 in full color. 3/4 " chip on top rear of DJ, remainder mark on bottom page edge, former owner's blindstamp on second page. Shipping may be extra for this large book; please inquire. Size: 9 3/8 x 12 ". Bookseller Inventory # 63800

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Book Description ABRAMS September 1994, 1994. Hardcover. Book Condition: Used - Like New. For about ten years, beginning with the Armory Show in 1913, New York City was host to the odd-sounding accents and queerer-looking paintings and constructions of a mixed bag of European and American avant-gardists. Besides the inscrutable figure of artist Marcel Duchamp, the European contingent included such iconoclastic visitors as the playboy painter Francis Picabia, the composer Edgard Varese, the diplomat Henri-Pierre Roche (author of Jules et Jim and adviser to the extraordinary collector John Quinn), and painters Albert Gleizes and Jean Crotti. Among the Americans were the photographer/painter/constructor Man Ray, the Precisionist painter and Fortune photographer Charles Sheeler, the Futurist Joseph Stella, and the Pennsylvania artists Charles Demuth and Morton Schamberg. New York Dada is the first comprehensive study devoted exclusively to the accomplishments of these vanguard artists in America in the period 1915-23 - among the most underappraised, though most influential periods in the history of American art. Within months after the word 'Dada' was discovered by a group of refugee artists and writers living in Switzerland, news of the movement reached artists in New York, who, by then, had already made works of art and engaged in activities that were similar in spirit to those produced by their European counterparts. For this groundbreaking book, Francis M. Naumann has interviewed virtually all the survivors and has amassed a wealth of rare photographs and newspaper clippings, including pictures of early installations of modern art in homes and exhibitions, to capture the spirit of New York Dada in a work that is both informative and captivating. In view of the current trendto investigate the potential of a conceptually oriented approach to art and to the art-making process, it is perhaps no coincidence that New York Dada is now finally recognized for the important role it played in the formative phases of a modernist aesthetic. Very nice clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector. Bookseller Inventory # 223183

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Naumann, Francis M
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Book Description (New York): Harry N. Abrams, Inc., Publishers, (1994). (1994)., 1994. Book Condition: Fine. (New York): Harry N. Abrams, Inc., Publishers, (1994). (1994). Fine. - Quarto [approximately 12 inches high by 9-1/4 inches wide], vermilion cloth in a dust wrapper. 253 pages. Numerous illustrations in color and black & white. A tiny area of the front endpaper is rubbed. Near fine. First edition. Bookseller Inventory # 21201

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Book Description Harry N. Abrams, New York, 1994. Hardcover. Book Condition: Near Fine. Dust Jacket Condition: near fine. First printing. First edition, 1994. Quarto, cloth hardcover in dust jacket, 255 pp., illustrated, clean unmarked text, Near Fine copy in Near Fine dust jacket, a bit of age-toning to the pages, light creasing to the tips of the dust jacket. Dust jacket housed in archival dust jacket protector. Bookseller Inventory # s00022641

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