Gift Quality Book in Excellent Condition. Bookseller Inventory #
Synopsis: From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present.
As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art. In this book: nearly a hundred of his finest essays on the subject.
For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists. He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.” He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic).
Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded. His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture. There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate. And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s.
A meteor of a book that enlightens, startles, stimulates and entertains.
About the Author: ROBERT HUGHES was born in Australia in 1938 and has lived in Europe and the United States since 1964. Since 1970, he has been art critic for Time magazine. He has twice won the College Art Association’s F.J. Mather Award for distinguished criticism. His books include The Art of Australia (1966), Heaven and Hell in Western Art (1969), and a chronicle of the settlement of Australia, The Fatal Shore (1987). His study of modern art, The Shock of the New (1981), is being reissued in an updated edition simultaneously with the publication of Nothing If Not Critical, Mr. Hughes lives in Manhattan and on Long Island.
Title: Nothing If Not Critical: Selected Essays on ...
Book Condition: New
Book Description Book Condition: Good. This item is in good condition. All pages and covers are readable. There are no stains or tears. Dust jacket is present if applicable. May contain small amounts of writing and/or highlighting. Spine and cover may show signs of wear. May not contain supplementary items such as CD's or DVD's. We ship within 1 business day. Bookseller Inventory # 34FCXJ00101B_ns
Book Description Knopf. Hardcover. Book Condition: GOOD. book was well loved but cared for. Possible ex-library copy with all the usual markings and stickers. Some light textual notes, highlighting and underling. Bookseller Inventory # 2795363293
Book Description Knopf. Hardcover. Book Condition: GOOD. Gently used may contain ex-library markings, possibly has some minor highlighting, textual notations, and or underlining. Text is still easily readable. Bookseller Inventory # 2800138279
Book Description Knopf. Hardcover. Book Condition: GOOD. Good clean copy with no missing pages might be an ex library copy; Possibly may have minor marginal notes and or highlighting. Bookseller Inventory # 2800648021
Book Description Knopf. Hardcover. Book Condition: GOOD. book was well loved but cared for. Possible ex-library copy with all the usual markings and stickers. Some light textual notes, highlighting and underling. Bookseller Inventory # 2808693517
Book Description Knopf. Hardcover. Book Condition: Very Good. 0394580265 First Edition. Book is very clean. Crisp pages. Tight binding. Appears unread. Foxing. Bookseller Inventory # CBA-8VB8-D833
Book Description Knopf, 1990. Hardcover. Book Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Light general wear, a nice copy with clean, bright interior pages and solid binding. DJ in nice condition. ; 8vo 8" - 9" tall; 429 pages. Bookseller Inventory # 44331
Book Description Alfred A. Knopf, New York, 1991. HC. 429 Seiten; In gutem Zustand aber teilweise mit Wasserfleck auf dem Cover. Bookseller Inventory # 6716
Book Description Knopf, 1990. Hardcover. Book Condition: Used: Good. Bookseller Inventory # SONG0394580265
Book Description Knopf, 1990. Hardcover. Book Condition: Used: Good. Bookseller Inventory # SKU8547803