ORNAMENTAL DIGRESSIONS

Maret, Russell

Published by Russell Maret, 2016
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4to. quarter goatskin, paper covered boards, clamshell box. unpaginated. One of 100 numbered copies. Accompanied by the prospectus. Ornamental Digressions was handset and printed by Russell Maret in his Pinwheel Ornaments, which were engraved and cast by Ed Rayher at Swamp Press and Letterfoundry. The texts are set in Gudrun Zapf von Hesse's Diotima, with titling in Hermann Zapf's Michelangelo, both of which were cast by Rainer Gerstenberg in Darmstadt, Germany. One hundred copies were printed on 145gm Zerkall wove paper and bound by Craig Jensen in goatskin and Yatsuo handmade paper. Twenty copies are bound in different colors than the other eighty and accompanied by a second, oblong volume of pattern papers printed on ten different colors of Yatsuo paper. All copies are housed in a cloth-covered clamshell box. From the publisher: In 2011 Joe Whitlock-Blundell asked me to design the binding for The Folio Society's edition of The Sound of the Fury. Joe had liked the patterned paper I designed for Specimens of Diverse Characters and he asked me to emulate it for the Faulkner. In response I designed nine ornamental variations on a basic theme: a central pinwheel form with nine different fillers among the pinwheel's arms. Joe chose the busiest of the nine designs as appropriate to the content of his book, and I spent a couple of years thinking about what else to do with the remaining ornaments. Eventually I decided to make a book of patterned papers, and I sent one of the designs, now called Pinwheel Ornaments, to Ed Rayher to have it made into new metal type ornaments. While the type was being made I began the obsessive process of designing ornamental patters. I do most of this kind of work while lying awake in bed, and this time was no different. For months I worked out meticulous variations in the wee hours, unsure as to whether I would model the book on a type specimen, printing the designs in black ink on white paper, or on a fabric swatch book, printing the patterns in colors on a variety of papers. The more I thought about these patterns the more I realized that my mind was wandering. I love making patterns, but a book that only explored the patterning potential of the ornaments was not holding my interest. Instead, I began envisioning elaborate arrangements that were not inspired by what the ornaments could do but by what they were not supposed to do. While reading or walking around the city, texts and images would spark ideas for designs that made no practical sense at all, and my thought would digress into designs of eight, or nine, or more colors. The book that has developed, Ornamental Digressions, draws on all of these various sources. It begins with four black and gray designs that display the basic functions of the ornaments. This is followed by fifteen ornamental digressions, each of which is pared with a text and printed in a wide array of colors. The book ends with notes on the sources of the fifteen digressions. Additionally, twenty copies are accompanied by a swatch book of twenty patterned papers that are printed on variously colored handmade paper. quarter goatskin, paper covered boards, clamshell box. Bookseller Inventory #

Bibliographic Details

Title: ORNAMENTAL DIGRESSIONS
Publisher: Russell Maret
Publication Date: 2016
Illustrator: Maret, Russell

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1.

Maret (Russell)
Published by Russell Maret (2016)
Used Quantity Available: 1
Seller:
Blackwell's Rare Books ABA ILAB BA
(Oxford, United Kingdom)
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Book Description Russell Maret, 2016. FIRST EDITION, 7/80 COPIES (from an edition of 100 copies) signed by Russell Maret, printed on Zerkall wove paper in various colours throughout (the colour most various in the 'Digressions' section, pp. [54], 4to, original Craig Jensen binding of quarter salmon-pink goatskin with Yatsuo handmade paper patterned to a Maret design, backstrip lettered in gilt, blue cloth dropdown box with leather label to match book, original prospectus laid in, new. A wondrous book, divided into three sections: 'The Ornaments', an entirely pictorial glossary of the building blocks used presented through four basic designs; 'The Digressions', these ornaments used to create a variety of pattern designs, each of the 15 illustrating or illustrated by a quotation (a mix of technical and literary, with Henry James and Flaubert represented in the latter category); 'The Sources', the quotations identified and explained by Russell Maret with reference to how they relate to his process and their pictorial representation. Immersive in the manner of Maret's earlier 'Linear A to Linear Z', the concept of digression that is at the project's heart has allowed the printer to develop an expansive and allusive rendering of its basic materials, possessed of an elegance and wit that gives a really vivid quality to the imagery on the page. Seller Inventory # 59295

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Maret, Russell
Published by Russell Maret, New York (2016)
Used Hardcover Quantity Available: 1
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Book Description Russell Maret, New York, 2016. Hardcover. Condition: Fine in Fine Archival Box. Limited Edition. Tight, bright, and unmarred. Quaterbound, leather spine, printed paper boards; matching smaller volume; dropspine archival box. Small fo. np. Illus. (color and b/w plates). Limited numbered edition, this being _____. "Ornamental Digressions was handset and printed by Russell Maret in his Pinwheel Ornaments, which were engraved and cast by Ed Rayher at Swamp Press and Letterfoundry. The texts are set in Gudrun Zapf von Hesse's Diotima, with titling in Hermann Zapf's Michelangelo, both of which were cast by Rainer Gerstenberg in Darmstadt, Germany. One hundred copies were printed on 145gm Zerkall wove paper and bound by Craig Jensen in goatskin and Yatsuo handmade paper. Twenty copies are bound in different colors than the other eighty and accompanied by a second, oblong volume of pattern papers printed on ten different colors of Yatsuo paper." "In 2011 Joe Whitlock-Blundell asked me to design the binding for The Folio Society's edition of The Sound of the Fury. Joe had liked the patterned paper I designed for Specimens of Diverse Characters and he asked me to emulate it for the Faulkner. In response I designed nine ornamental variations on a basic theme: a central pinwheel form with nine different fillers among the pinwheel's arms. Joe chose the busiest of the nine designs as appropriate to the content of his book, and I spent a couple of years thinking about what else to do with the remaining ornaments. Eventually I decided to make a book of patterned papers, and I sent one of the designs, now called Pinwheel Ornaments, to Ed Rayher to have it made into new metal type ornaments. While the type was being made I began the obsessive process of designing ornamental patters. I do most of this kind of work while lying awake in bed, and this time was no different. For months I worked out meticulous variations in the wee hours, unsure as to whether I would model the book on a type specimen, printing the designs in black ink on white paper, or on a fabric swatch book, printing the patterns in colors on a variety of papers. The more I thought about these patterns the more I realized that my mind was wandering. I love making patterns, but a book that only explored the patterning potential of the ornaments was not holding my interest. Instead, I began envisioning elaborate arrangements that were not inspired by what the ornaments could do but by what they were not supposed to do. While reading or walking around the city, texts and images would spark ideas for designs that made no practical sense at all, and my thought would digress into designs of eight, or nine, or more colors. The book that has developed, Ornamental Digressions, draws on all of these various sources. It begins with four black and gray designs that display the basic functions of the ornaments. This is followed by fifteen ornamental digressions, each of which is pared with a text and printed in a wide array of colors. The book ends with notes on the sources of the fifteen digressions. Additionally, twenty copies are accompanied by a swatch book of twenty patterned papers that are printed on variously colored handmade paper. quarter goatskin, paper covered boards, clamshell box." (from the printer). Seller Inventory # 9227

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Maret, Russell
Published by Russell Maret, New York, NY (2016)
Used Hardcover Quantity Available: 1
Seller:
Oak Knoll Books, ABAA, ILAB
(NEW CASTLE, DE, U.S.A.)
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Book Description Russell Maret, New York, NY, 2016. Maret, Russell (illustrator). 4to. quarter goatskin, paper covered boards, clamshell box. unpaginated. One of 100 numbered copies. Accompanied by the prospectus. Ornamental Digressions was handset and printed by Russell Maret in his Pinwheel Ornaments, which were engraved and cast by Ed Rayher at Swamp Press and Letterfoundry. The texts are set in Gudrun Zapf von Hesse's Diotima, with titling in Hermann Zapf's Michelangelo, both of which were cast by Rainer Gerstenberg in Darmstadt, Germany. One hundred copies were printed on 145gm Zerkall wove paper and bound by Craig Jensen in goatskin and Yatsuo handmade paper. Twenty copies are bound in different colors than the other eighty and accompanied by a second, oblong volume of pattern papers printed on ten different colors of Yatsuo paper. All copies are housed in a cloth-covered clamshell box. From the publisher: In 2011 Joe Whitlock-Blundell asked me to design the binding for The Folio Society's edition of The Sound and the Fury. Joe had liked the patterned paper I designed for Specimens of Diverse Characters and he asked me to emulate it for the Faulkner. In response I designed nine ornamental variations on a basic theme: a central pinwheel form with nine different fillers among the pinwheel's arms. Joe chose the busiest of the nine designs as appropriate to the content of his book, and I spent a couple of years thinking about what else to do with the remaining ornaments. Eventually I decided to make a book of patterned papers, and I sent one of the designs, now called Pinwheel Ornaments, to Ed Rayher to have it made into new metal type ornaments. While the type was being made I began the obsessive process of designing ornamental patters. I do most of this kind of work while lying awake in bed, and this time was no different. For months I worked out meticulous variations in the wee hours, unsure as to whether I would model the book on a type specimen, printing the designs in black ink on white paper, or on a fabric swatch book, printing the patterns in colors on a variety of papers. The more I thought about these patterns the more I realized that my mind was wandering. I love making patterns, but a book that only explored the patterning potential of the ornaments was not holding my interest. Instead, I began envisioning elaborate arrangements that were not inspired by what the ornaments could do but by what they were not supposed to do. While reading or walking around the city, texts and images would spark ideas for designs that made no practical sense at all, and my thought would digress into designs of eight, or nine, or more colors. The book that has developed, Ornamental Digressions, draws on all of these various sources. It begins with four black and gray designs that display the basic functions of the ornaments. This is followed by fifteen ornamental digressions, each of which is pared with a text and printed in a wide array of colors. The book ends with notes on the sources of the fifteen digressions. Additionally, twenty copies are accompanied by a swatch book of twenty patterned papers that are printed on variously colored handmade paper. quarter goatskin, paper covered boards, clamshell box. Seller Inventory # 129139

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