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Original Sin: The Visionary Art of Joe Coleman

Jarmusch, Jim; Schechter, Harold

53 ratings by Goodreads
ISBN 10: 0963812963 / ISBN 13: 9780963812964
Published by U.S.A.: Green Candy Press, 1998
Condition: Near Fine Soft cover
From Booklegger's Fine Books ABAA (Park Ridge, IL, U.S.A.)

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About this Item

A near fine, clean and tight softcover copy in stiff wrappers. Light bump to spine near top of spine. No bent corners to wrappers, no creases to wrappers. First Edition. A very decent copy. *** WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. *** WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 35 YEARS. Bookseller Inventory # 001851

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Bibliographic Details

Title: Original Sin: The Visionary Art of Joe ...

Publisher: U.S.A.: Green Candy Press

Publication Date: 1998

Binding: Soft cover

Book Condition: Near Fine

Edition: 1st Edition.

About this title


Art. Artist Joe Coleman's ORIGINAL SIN contains visually stimulating and radically graphic nightmarish images. Filmmaker Jim Jarmusch, historian Harold Schechter and art critic/poet John Yau contribute essays to this extremely dark "coffin table" book. Joe's work is often compared to illuminated manuscripts because of the great detail contained within each piece. His acrylic paintings depict acts of violence, some of which even include gory details of various body parts. Both sexual and revolting, the book contains material that may not be suitable for everyone.


Joe Coleman is a powerful artist whose paintings in acrylic on Masonite contain within their bizarre decorative borders an astonishing profusion of specific, intensely colorful nightmare images. He does not try to be pretty. He does not flinch from depicting revolting details of body parts and violence. (Click on the cover illustration for a closer look.) Often he places a totemic figure, such as Edgar Allan Poe or Ed Gein in the middle of the canvas, then he explores his fascination with that person by surrounding the figure with vignettes about the individual's life and work. After hours of meticulous labor with tiny brushes, every square millimeter of the canvas is covered with quotations, faces, glyphs, documents, dramatic scenes, and horrifying creatures. His paintings are often compared to illuminated manuscripts. Original Sin contains 48 pages of color plates, many with accompanying detail views, and numerous illustrations in black and white. Essays by filmmaker Jim Jarmusch, art historian John Yau, and writer Harold Schechter offer insights into Coleman's psyche and world-view. Detailed keys explain the allegorical and historical references in 19 of the paintings. Warning: this is strong stuff, both gory and sexual. To view more of Coleman's art, see the cover illustration of Coleman's Cosmic Retribution.

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