Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public

Parshall, Peter, S, David Areford, Schoch, Rainer, Schmidt, Peter, S., Richard Field

Published by Yale University Press, 2005
ISBN 10: 0300113390 / ISBN 13: 9780300113396
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Includes everything it's supposed to include. Light to moderate shelf wear. No apparent underlining/highlighting. Bookseller Inventory # 916683

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Title: Origins of European Printmaking: ...
Publisher: Yale University Press
Publication Date: 2005
Book Condition: Very Good

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Parshall, Peter, Schoch, Rainer
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description Book Condition: very good. 2291 Gramm. Bookseller Inventory # M00300113390-V

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Parshall, Peter; Areford, David S; Schoch, Rainer; Schmidt, Peter; Field, Richard S.
Published by Yale University Press
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description Yale University Press. Hardcover. Book Condition: Good. 0300113390 JUMBO - GOOD - This is a hurt hardcover book with some tearing, scuffing, bumping, creasing and a torn dust jacket. Still, it is fully usable and the flaws are only cosmetic. Bookseller Inventory # Z0300113390Z3

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Parshall, P. W. ; Schoch, R. ;National Gallery of Art ; Germanisches Nationalmuseum Nürnberg.
Published by National Gallery of Art, in association with Yale University Press, New Haven, first edition, 2005 (2005)
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description National Gallery of Art, in association with Yale University Press, New Haven, first edition, 2005, 2005. Cloth, 4to, 31 cm, ix, 371 pp : ills (some colour) Catalogue of an exhibition held at the National Gallery of Art, Washington, D.C., Sept. 4-Nov. 27, 2005, and at the Germanisches Nationalmuseum, Nuremberg, Dec. 13, 2005-Mar. 19, 2006. Contents: Early woodcuts and the reception of the primitive, by Peter Parshall and Rainer Schoch; The early woodcut: the known and the unknown, by Richard S. Field; The multiple image: the beginnings of printmaking, between old theories and new approaches, by Peter Schmidt; Catalogue. Techniques of replication; Traces of an early style; Reception and markets; Passion and compassion; Intercession and instruction; The saints. Appendix: The Papers and their Watermarks, by Shelley fletcher. From the blurb: "Apart from their particular aesthetic allure, fifteenth- century woodcuts and metal cuts reflect attitudes toward the nature of piety and visual experience itself, enabling us in turn to understand the complex role of images in late medieval culture. In this beautifully illustrated book, an international team of scholars examines and reinterprets more than one hundred distinctive works, challenging long-standing assumptions about the beginnings of printmaking and exploring the very origins of a transformation in media that has had a profound impact on Western culture. In the fifteenth century replicated images made the private ownership of pictures widely feasible for the first time. These mass-produced images helped structure private religious experience, transmit beliefs, disseminate knowledge about material facts, and chart abstract ideas. The authors explore these early reliefs primarily through the evidence of their utility: how those who first manufactured, purveyed, and acquired prints employed and understood them." Near Fine in a dustwrapper which has a small indentation on the front panel. Bookseller Inventory # ABE-28391

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Peter Parshall; David S Areford; Rainer Schoch; Peter Schmidt; Richard S. Field
Published by Yale University Press (2005)
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description Yale University Press, 2005. Hardcover. Book Condition: Used: Good. Bookseller Inventory # SONG0300113390

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Parshall, Peter; Areford, David S; Schoch, Rainer; Schmidt, Peter; Field, Richard S.
Published by Yale University Press 2005-09-15 (2005)
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description Yale University Press 2005-09-15, 2005. Hardcover. Book Condition: Fair. First Edition. 0300113390 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Bookseller Inventory # POTM-0300113390

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Peter Parshall
Published by Yale University Press (2005)
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description Yale University Press, 2005. HRD. Book Condition: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Bookseller Inventory # WY-9780300113396

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Peter Parshall, Rainer Schoch, Richard S. Field
Published by Yale University Press, United States (2005)
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description Yale University Press, United States, 2005. Hardback. Book Condition: New. 312 x 249 mm. Language: English . Brand New Book. This highly anticipated and beautifully illustrated book examines the evolution of early printmaking in late medieval Europe. Through their means of production and the evidence of their utility, prints are explored in a broad social and economic context. Key topics include the complex problem of reconstructing the beginnings of the European woodcut; the practice of copying and dissemination of models endemic to the medium; and the varied functions of the print from the spiritual to the secular. A team of expert authors examines the many ways in which fifteenth-century woodcuts and metalcuts reflect the nature of piety and visual experience. Replicated images helped to structure private religious practice, transmit beliefs, disseminate knowledge about material facts, and graph abstract ideas. Mass-produced pictures made it feasible for people of all stations to possess them, thereby initiating a change in the role of images that eventually helped alter the definition of art itself. The Origins of European Printmaking is an essential book for art historians, students, and collectors, as well as the general reader with an interest in medieval history and culture. Bookseller Inventory # AAH9780300113396

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Peter Parshall
Published by Yale University Press 2005-09-15 (2005)
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description Yale University Press 2005-09-15, 2005. Hardcover. Book Condition: good. 0300113390. Bookseller Inventory # 567620

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Parshall, Peter Schoch, Rainer
Published by Yale University Press (2005)
ISBN 10: 0300113390 ISBN 13: 9780300113396
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Book Description Yale University Press, 2005. Book Condition: new. Washington, National Gallery of Art, 4 settembre - 27 novembre 2005. Nuremberg, Germanisches Nationalmuseum, 14 dicembre 2005 - 19 marzo 2006. English text. London, 2005; clothbound, pp. 372, 20 b/w ill., 150 col. ill., cm 30,5x24,5. This highly anticipated and beautifully illustrated book examines the evolution of early printmaking in late medieval Europe. Through their means of production and the evidence of their utility, prints are explored in a broad social and economic context. Key topics include the complex problem of reconstructing the beginnings of the European woodcut; the practice of copying and dissemination of models endemic to the medium; and the varied functions of the print from the spiritual to the secular. Bookseller Inventory # 930555

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Peter Parshall, Rainer Schoch, Richard S. Field
Published by Yale University Press, United States (2005)
ISBN 10: 0300113390 ISBN 13: 9780300113396
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The Book Depository US
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Book Description Yale University Press, United States, 2005. Hardback. Book Condition: New. 312 x 249 mm. Language: English . Brand New Book. This highly anticipated and beautifully illustrated book examines the evolution of early printmaking in late medieval Europe. Through their means of production and the evidence of their utility, prints are explored in a broad social and economic context. Key topics include the complex problem of reconstructing the beginnings of the European woodcut; the practice of copying and dissemination of models endemic to the medium; and the varied functions of the print from the spiritual to the secular. A team of expert authors examines the many ways in which fifteenth-century woodcuts and metalcuts reflect the nature of piety and visual experience. Replicated images helped to structure private religious practice, transmit beliefs, disseminate knowledge about material facts, and graph abstract ideas. Mass-produced pictures made it feasible for people of all stations to possess them, thereby initiating a change in the role of images that eventually helped alter the definition of art itself. The Origins of European Printmaking is an essential book for art historians, students, and collectors, as well as the general reader with an interest in medieval history and culture. Bookseller Inventory # AAH9780300113396

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