Otto P?cht. Venetian Painting in the Fifteenth Century: Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna (Studies in Medieval and Early Renaissance Art History)

Michael Pacht, Otto Pacht, Margareta Vyoral-Tschapka

Published by Brepols Publishers, 2004
ISBN 10: 1872501230 / ISBN 13: 9781872501239
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Synopsis: Otto Pacht, one of the most significant art-historians of the 'Vienna School', and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo's work, interpreting it as the basis for his sons' later development. He analyses Jacopo's London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht's examination of Mantegna's work, where the construction of space and depth is the key to our understanding of Mantegna's creative process. Turning to the next generation of the Bellini family, Pacht guides our eyes to appreciate the refinement and perception of Gentile's portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty.

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Title: Otto P?cht. Venetian Painting in the ...
Publisher: Brepols Publishers
Publication Date: 2004
Binding: Paperback
Book Condition: New

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Pächt , Otto
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Book Description Brepols Publishers 0. Softcover. Condition: Verlagsfrisch New copy. Verlagsfrisch New copy Harvey Miller Studies in Medieval and Early Renaissance Art History (HMSAH 36 (pbk)) Venetian Painting in the Fifteenth Century Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna 260 p., 219 b/w ill. + 41 colour ill., 210 x 280 mm, 2004 ISBN: 978-1-872501-23-9 Languages: English Paperback The publication is available. Retail price: EUR 60,00 Otto Pächt, one of the most significant art-historians of the 'Vienna School', and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pächt, however, devotes particular attention to Jacopo's work, interpreting it as the basis for his sons' later development. He analyses Jacopo's London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pächt's examination of Mantegna's work, where the construction of space and depth is the key to our understanding of Mantegna's creative process. Turning to the next generation of the Bellini family, Pächts guides our eyes to appreciate the refinement and perception of Gentile's portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! Review "Pächt's lessons are as timely now as thitrty-five years ago." (P. Hills in The Burlington Magazine, cxlvii, January 2005, p. 47-48). Buch. Seller Inventory # 1977

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Book Description Brepols N.V., Belgium, 2005. Paperback. Condition: New. Language: German,English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Otto Pacht, one of the most significant art-historians of the Vienna School , and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pacht, however, devotes particular attention to Jacopo s work, interpreting it as the basis for his sons later development. He analyses Jacopo s London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pacht s examination of Mantegna s work, where the construction of space and depth is the key to our understanding of Mantegna s creative process.Turning to the next generation of the Bellini family, Pachts guides our eyes to appreciate the refinement and perception of Gentile s portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. Seller Inventory # BTE9781872501239

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Book Description Brepols Publishers, 2004. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 1872501230-2-4

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Book Description Harvey Miller, London, 2004. Couverture souple. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Harvey Miller Studies in Medieval and Early Renaissance Art History(HMSAH 36 (pbk)) Venetian Painting in the Fifteenth Century Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna 260 p., 219 b/w ill. + 41 colour ill., 210 x 280 mm, 2004 ISBN: 978-1-872501-23-9 Languages: English Paperback The publication is available. Retail price: EUR 80,00 excl. tax Otto Pächt, one of the most significant art-historians of the 'Vienna School', and well known for his analyses of Early Netherlandish art, turns his attention in this publication to the humanist circle of Early Renaissance painters in Venice, dominated by Jacopo Bellini, his sons Gentile and Giovanni, and also his son-in-law Andrea Mantegna. It was a period of newly awakened interest in the Antique, of studies made directly from nature, and of trial and error in the technique of perspective. And in addition, a new awareness of the role of light and colour in the devotional and often monumental images of the Madonna, of altarpieces and of allegories contributed to the founding of what we now recognise as the hall-mark of Venetian painting, that culminated with Titian. Of the Bellini family, it has been Giovanni who was generally regarded as the major figure of the dynasty. Pächt, however, devotes particular attention to Jacopo's work, interpreting it as the basis for his sons' later development. He analyses Jacopo's London and Paris Sketchbook drawings, demonstrating where Late Gothic elements can be seen to be overtaken by the need to give perspective depth to the image, and how subsequent painting took account of these changes. This is also the essence of Pächt's examination of Mantegna's work, where the construction of space and depth is the key to our understanding of Mantegna's creative process. Turning to the next generation of the Bellini family, Pächts guides our eyes to appreciate the refinement and perception of Gentile's portraits, and finally takes us step by step through the works of Giovanni, where fantasy combines with the play of colour and light in creating compositions, devotional images, and landscape settings of perfect harmony and beauty. !Winner of the Apollo Magazine Book of the Year 2003 Award! Review - Language : English text Size: 210 x 280 mm. Livre. Seller Inventory # 007222

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Book Description Brepols Publishers, 2004. Paperback. Condition: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Seller Inventory # 1872501230

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