PAINTED PRINTS

Dackerman, Susan

Published by Baltimore Museum of Art, 2002
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4to. cloth, dust jacket. xvi, 298 pages. The Revelation of Color in Northern Renaissance & Baroque Engravings, Etchings & Woodcuts. Published in conjunction with an exhibition organized by The Baltimore Museum of Art, Painted Prints reproduces and discusses a rich variety of hand-colored prints from Northern Europe of the Renaissance and Baroque periods. Anonymous woodcuts are juxtaposed with masterworks by such famed artists as Dürer, Holbein, and Goltzius. Includes essays on Rediscovering Printed Prints, Painted Prints in Germany and the Netherlands, and The Materials and Technology of Renaissance and Baroque Hand-Colored Prints. A catalogue of the Baltimore Museum of Art, with many lovely color illustrations, including an appendix showing results of analytical testing of hand-colored prints. Pencil ownership inscription on first blank leaf. One corner slightly bumped. Bookseller Inventory #

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Synopsis: An old master print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of old master prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning.

Published in conjunction with an exhibition at The Baltimore Museum of Art and St. Louis Art Museum, Painted Prints reproduces and discusses a rich variety of hand-colored prints from Northern Europe of the Renaissance and Baroque periods. Anonymous woodcuts are juxtaposed with masterworks by such famed artists as Dürer, Holbein, and Goltzius. These prints, secular as well as religious, muted as well as vibrant in tonality, make it clear that hand coloring was a widespread, enduring practice, developed to satisfy the demands of both elite and popular audiences.

Painted Prints presents new research into the men and women who specialized in hand coloring and offers numerous insights into the social and economic organization of Renaissance and Baroque printmaking. It also draws on scientific analyses of the materials and techniques of hand coloring to address important questions of authenticity, chronology, and condition. With a catalogue and color illustrations of all the hand-colored prints in the exhibition, this book makes a groundbreaking contribution to the study of old master prints and their pivotal place in the visual culture of early modern Europe.

The exhibition, "Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts," will be at The Baltimore Museum of Art from October 6, 2002, to January 5, 2003 and St. Louis Art Museum from February 14 to May 18, 2003.

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Bibliographic Details

Title: PAINTED PRINTS
Publisher: Baltimore Museum of Art
Publication Date: 2002
Binding: cloth, dust jacket

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Dackerman, Susan
Published by Baltimore Museum of Art/University of Pennsylvania Press, US (2002)
ISBN 10: 0271022353 ISBN 13: 9780271022352
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Book Description Baltimore Museum of Art/University of Pennsylvania Press, US, 2002. Softcover. Book Condition: Very Good. Edition Unstated. 297 pages. Wraps show minor wear to edges and corners. Tight binding. Interior is clean and unmarked. Quantity Available: 1. Category: Art & Design; ISBN: 0271022353. ISBN/EAN: 9780271022352. More pictures upon request. Inventory No: 52456. Bookseller Inventory # 52456

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Dackerman, Susan and Thomas Primeau et al.
Published by The Baltimore Museum of Art / The Pennsylvania State University Press, Baltimore (2002)
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Book Description The Baltimore Museum of Art / The Pennsylvania State University Press, Baltimore, 2002. Softcover. Book Condition: New in shrinkwrap. BASEMENT (illustrator). Red & color illus. wraps. xii, 297 pp. Profuse color plates; weighs nearly 4 lbs. An old master print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of old master prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning.Published in conjunction with an exhibition at The Baltimore Museum of Art and St. Louis Art Museum, Painted Prints reproduces and discusses a rich variety of hand-colored prints from Northern Europe of the Renaissance and Baroque periods. Anonymous woodcuts are juxtaposed with masterworks by such famed artists as Dürer, Holbein, and Goltzius. These prints, secular as well as religious, muted as well as vibrant in tonality, make it clear that hand coloring was a widespread, enduring practice, developed to satisfy the demands of both elite and popular audiences.Painted Prints presents new research into the men and women who specialized in hand coloring and offers numerous insights into the social and economic organization of Renaissance and Baroque printmaking. It also draws on scientific analyses of the materials and techniques of hand coloring to address important questions of authenticity, chronology, and condition. With a catalogue and color illustrations of all the hand-colored prints in the exhibition, this book makes a groundbreaking contribution to the study of old master prints and their pivotal place in the visual culture of early modern Europe.The exhibition, "Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts," was held at The Baltimore Museum of Art from October 6, 2002, to January 5, 2003 and at the St. Louis Art Museum from February 14 to May 18, 2003. Organized by Susan Dackerman, with an essay by Thomas Primeau. Catalogue entries by Deborah Carton, Dackerman, Richard Field, Katherine Crawford Luber, Elizabeth Mansfield, Walter Melion, Primeau, and Robert Wheaton. Bookseller Inventory # 26945

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Published by PENNSYLVANIA STATE UP (2002)
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Book Description PENNSYLVANIA STATE UP, 2002. Oversized Paper Back. Book Condition: Good. Bookseller Inventory # 1229099

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Dackerman, Susan
Published by Pennsylvania State University Press (2002)
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Book Description Pennsylvania State University Press, 2002. Paperback. Book Condition: Very Good. Unmarked. 119 color and 10 B/W illustrations. Published in conjunction with an exhibition organized by The Baltimore Museum of Art, Painted Prints reproduces and discusses a rich variety of hand-colored prints from Northern Europe of the Renaissance and Baroque periods. Measures 9x12pp. 312p. Bookseller Inventory # 23815

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Book Description The Pennsylvania State University Press, 2002. Paperback. Book Condition: Used: Good. Bookseller Inventory # SONG0271022353

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Book Description The Pennsylvania State University Press, 2002. Paperback. Book Condition: New. Softcover. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. Bookseller Inventory # 1610110021

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Dackerman, Susan.
Published by Published by Pennsylvania State University Press, (2002) (2002)
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Book Description Published by Pennsylvania State University Press, (2002), 2002. Paperback. Near fine in pictorial wrappers. Profusely illustrated This a nice clean copy, the spine is solid, The text is clean and pages are not torn or dirty. We provide fast and reliable shipping service. We started to sell on the internet in 1998. We ship from California. Packaged carefully and shipped promptly. All our books are guaranteed. Bookseller Inventory # 0056382

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Published by Pennsylvania State University Press 2002-10-11, University Park, Pa. |[Great Britain] (2002)
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Book Description Pennsylvania State University Press 2002-10-11, University Park, Pa. |[Great Britain], 2002. hardback. Book Condition: New. Bookseller Inventory # 9780271022352

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