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Pain Management: A Burke Novel

Vachss, Andrew H.

946 ratings by Goodreads
ISBN 10: 0375413227 / ISBN 13: 9780375413223
Published by Knopf, 2001
Condition: Very Good Hardcover
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About this Item

0375413227 Signed and inscribed by Andrew H. Vachss on title page. Dust jacket shows some very mild edgewear, is otherwise clean and bright. The boards are clean and straight, with light bumping to the corners and the top and bottom of spine. The spine is solid and firm. Interior text block is straight and firmly attached to the spine, and free of markings. An attractive copy. First Edition. Jacket Condition: Very Good. Size: 8vo - over 7 3/4 in - 9 3/4 in tall. Year: 2001. Bookseller Inventory # BBS-072774

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Bibliographic Details

Title: Pain Management: A Burke Novel

Publisher: Knopf

Publication Date: 2001

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Dust Jacket Included

Signed: Signed by Author(s)

Edition: 1st Edition

About this title

Synopsis:

Andrew Vachss’s previous novel, Dead and Gone, prompted the Rocky Mountain News to say, “Starting a Vachss novel is like putting a vial of nitroglycerine into your pocket and going for a jog.” With his latest thriller, Vachss turns the heat up a notch by dropping his career criminal and ultimate urban survivalist, Burke, in the middle of some of the most dangerously determined humans he has ever faced.

Burke has gone “missing-and-presumed” from his native New York City, following a failed assassination attempt. The shadowy man-for-hire is scratching out an existence in the Pacific Northwest, waiting to see if it is safe to return.

Without his underground network of contacts and connections, cut off from his own people, Burke is forced to abandon his trademark complex scams. Instead, he returns to what he refers to as “violence for money.” When Gem, the professional border-crosser who calls herself his wife, brings him a job tracking down a runaway teenager, Burke finds himself in a long, dark tunnel of lies—lined with more games than players.

Burke takes to the unfamiliar streets, quickly and brutally establishing a presence. The whisper-stream carries him to a fanatical group of criminal Samaritans dedicated to supplying adequate drugs for those suffering from chronic pain. Forced into a potentially deadly alliance, Burke walks the wire between betrayals, risking it all for a girl he has never met. Because the State-raised outlaw knows better than most that there are many kinds of pain. And many ways to “manage” it.

Review:

When last encountered (2000's Dead and Gone), career criminal Burke was on the rebound from a nearly successful assassination attempt, lying low and licking his wounds in Portland, Oregon. Severed from his connections in NYC, Burke survives on jobs--"violence for money" mostly--brokered by his live-in lover, Gem, an Asian beauty with a painful, larcenous past and a present to match.

At hand is a task Burke has done before: the recovery of a runaway, a 16-year-old girl named Rosebud. But Burke, an assassin with scruples, knows when things aren't right. Rosebud's father, Kevin, has a '60s-era contempt of "The Man" that doesn't jibe with his obvious wealth. Mother Maureen limps through life on pharmaceutical crutches. Younger sister Daisy and best friend Jennifer know things but won't share. As his search spirals out from Portland's mean streets, Burke encounters a mysterious young woman, Ann O. Dyne, who offers to help for a price. Her raison d'être is pain management--securing and dispensing medications vital to the terminally ill but held beyond their reach by a largely uncaring cadre of doctors, lawyers, and politicians. Eventually, of course, this plot line connects with Rose's whereabouts.

Andrew Vachss's MO here, as usual, is a mystery (Rosebud's disappearance) plus an actual cause célèbre (humane pain management). It's a risky formula that aims both to entertain and to enlighten. With its believably unbelievable characters, Vachss's spare noir, and steely pacing that counterpoints a bolt-upright climax, Burke's 13th outing is every bit as satisfying as the dozen that came before. --Michael Hudson

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