Stock Image

Part Object Part Sculpture

Molesworth, Helen and Briony Fer, Rosalind Krauss, David Joselit, Rachel Haidu

12 ratings by Goodreads
ISBN 10: 0271028556 / ISBN 13: 9780271028552
Published by Wexner Center for the Arts, The Ohio State University, Pennsylvania State University Press, 2005
Used
From ANARTIST (New York, NY, U.S.A.)

AbeBooks Seller Since July 8, 1999

Quantity Available: 1

Buy Used
Price: US$ 40.00 Convert Currency
Shipping: US$ 5.00 Within U.S.A. Destination, rates & speeds
Add to basket

30 Day Return Policy

About this Item

Softcover exhibition catalog, 286 pages; very good condition except die cuts on cover are lightly creased; light rubbing to white covers; no internal marks. Foreign shipping may be extra. Bookseller Inventory # PaMoWe40

Ask Seller a Question

Bibliographic Details

Title: Part Object Part Sculpture

Publisher: Wexner Center for the Arts, The Ohio State University, Pennsylvania State University Press

Publication Date: 2005

About this title

Synopsis:

How did you get the concept for Part Object Part Sculpture?

I remain fascinated by the tricky nature of Duchamp’s readymades—objects transformed into art, but not quite. They always retain their original identity or function. This is why many people refer to Fountain in a casual way as “the urinal.” For me this is an acknowledgment that the work is part art, part not—part object, part sculpture.

What is new about your interpretation of Duchamp?

I insist that we see the readymades produced in the 1960s as quite different from the readymades that were purchased by Duchamp in the teens. They are different objects, with different sets of rules. Hence they behave differently in the gallery and ultimately mean different things. I have also tried to keep Duchamp’s readymades in dialogue with his lifelong interest in eros. These two strains of his thought have been kept separate—wrongly, I think—in the American reception of Duchamp.

The artists featured in Part Object Part Sculpture come from different generations, different national traditions. Why do you bring them together in this exhibition and book?

I am trying to map a genealogy of postwar sculpture that challenges the Minimalist/Post-Minimalist sequence maintained in most accounts of the period. The exhibition begins in the 1950s and comes up to the present. Also, it has become increasingly difficult to narrate postwar art as predominantly or exclusively American. Artists have been engaging in an enormous transatlantic dialogue.

Is there any single work in the catalogue that can be singled out as emblematic of your intervention?

No, not at all. It is precisely the constellation of figures like Burri, Duchamp, and Bourgeois, and then Duchamp and Hesse and Johns, and then Duchamp and Kusama and Gober, and then Duchamp and McElheney, that makes the exhibition so potentially interesting.

How did you and your collaborators develop the scope and aim of the essays in the book?

I asked writers who were working on the artists in the show and have won my admiration for the sensitivity of their writing and the unconventional nature of their thought. I then allowed them to write what they pleased. The outcome is a book to be considered as another site where the counter-genealogy is being built and argued for.

About the Author:

Helen Molesworth, Chief Curator at the Wexner Center for the Arts, has published Image Stream (2004) and Work Ethic (Penn State, 2003).

"About this title" may belong to another edition of this title.

Store Description

Anartist is open for visits by appointment only. I stock books in the fields of Art, Photography, Design and Architecture from cave painting to the present and I specialize in Artist Books and post-1945 art. Libraries and single items bought. Please inquire.

Visit Seller's Storefront

Terms of Sale:

Credit cards are accepted via the ABE site. For all other payment options, contact me first to confirm title availability. I accept: credit cards, paypal, US cash or Euro cash at your own risk; Western Union wire transfers; checks or money orders in US dollars drawn on US accounts only. Make payable to "ANARTIST". Usually money orders are shipped immediately, checks must clear prior to shipping. Maximum 5 day lead time to process order upon deposit.

For orders shipped within NY State, add 8.875%...

More Information
Shipping Terms:

Shipping costs are usually $5.00 within continental U.S. for first title, and $1.00 for each additional item. International shipping costs depend on weight and can vary from $14 to $60 for most items. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required.

List this Seller's Books

Payment Methods
accepted by seller

Visa Mastercard American Express

Check Money Order PayPal Bank/Wire Transfer