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Peeling Potatoes, Painting Pictures: Women Artists in Post-Soviet Russia, Estonia, and Latvia (Dodge Soviet-Nonconformist Art Publication)

Renee Baigell

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ISBN 10: 081352945X / ISBN 13: 9780813529455
Published by Rutgers University Press, 2001
Used Condition: Very Good Hardcover
From Books for Libraries, Inc. (Santa Clarita, CA, U.S.A.)

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Ex-Library. Hardcover. Text is clean, binding is strong. Brown cloth binding. Bookseller Inventory # mon0000012952

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Bibliographic Details

Title: Peeling Potatoes, Painting Pictures: Women ...

Publisher: Rutgers University Press

Publication Date: 2001

Binding: Hardcover

Book Condition:Very Good

About this title

Synopsis:

How do women artists in Russia, Estonia, and Latvia view themselves in the post-Soviet era? What is their relationship to feminism and how has that relationship changed following the fall of the Soviet regime?

Having conducted over sixty interviews between 1995 and 1998, Renee Baigell and Matthew Baigell explore in this volume these women’s seemingly second-class status, the difficulties of pursuing an art career in a male-dominated society, and the attitudes—often hostile—of their male counterparts toward feminist concerns.

The artists interviewed—some born as early as the 1920s, others as recently as the 1970s—discuss their private lives and situations, as well as specific works of art. They reveal a wide range of attitudes and a complex relationship with a feminist movement often regarded as an alien import from the West. Gender issues in art school, the demands and strains of career and family life, and questions regarding a female approach to imagery are among the topics raised, as are these artists’ hopes and dreams for the future. This book also includes a brief chronology of pertinent art exhibitions during the 1990s.

Readers will both gain a new perspective on universal issues facing women artists worldwide, as well as comprehend, with fresh appreciation, the relative freedom enjoyed by female artists in the West.

From the Back Cover:

How do women artists in Russia, Estonia, and Latvia view themselves in the post-Soviet era? What is their relationship to feminism and how has that relationship changed following the fall of the Soviet regime?

The artists interviewed-some born as early as the 1920s, others as recently as the 1970s-discuss their private lives and situations, as well as specific works of art. They reveal a wide range of attitudes and a complex relationship with a feminist movement often regarded as an alien import from the West. Gender issues in art school, the demands and strains of career and family life, and questions regarding a female approach to imagery are among the topics raised, as are these artists' hopes and dreams for the future. This book also includes a brief chronology of pertinent events in the art world during the 1990s.

In rich, novelistic fashion, Sears explores how southern queer communities emerged from a region and culture uniquely contoured by the divisions of race, social class, religion, and gender, showing how the newly constructed communities of the seventies both owed a debt to their precursors and looked hopefully to the future.

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