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In The Pond

Ha Jin

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ISBN 10: 0944072925 / ISBN 13: 9780944072929
Published by Zoland Books, Cambridge, Massachusetts, 1998
Condition: As New Hardcover
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About this Item

Zoland Books, 1998. Book Condition:Very Fine. Dust Jacket Condition:Very Fine. 1st. 8vo. 178pp. Bound in quarter green cloth-textured paper with green boards; gilt lettering to spine; speckled end papers. The white and beige pictorial dust wrapper displays publisher's price of $20.00 in upper right corner of the inside front panel; the brodart cover is new. The book is placed in archival bag. The book is SIGNED by the author, in black ink, on the full title page.As new book opened only for Mr. Jin to SIGN. Bookseller Inventory # 000010

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Bibliographic Details

Title: In The Pond

Publisher: Zoland Books, Cambridge, Massachusetts

Publication Date: 1998

Binding: Hardcover

Book Condition: As New

Dust Jacket Condition: As New

Signed: Signed by Author(s)

Edition: 1st Edition

About this title

Synopsis:

Fiction. Asian Studies. Winner of the Hemingway/PEN Award for first fiction for his story collection OCEAN OF WORDS, and of the Flannery O'Connor Award for short fiction for UNDER THE RED FLAG, Ha Jin is a writer of stark power, simple beauty and poignant irony. IN THE POND is a close, unsentimental depiction of life in a small faCtory town; the manuevering, posturing, petty jealousies and injustices of an ordinary man, Shao Bin, who tangles with the party bosses. In this first novel, as in his short fiction,

Review:

In the Pond is a slim little book about some very big issues: power, vanity, art, injustice, and politics. Where Tom Wolfe would find the makings for a doorstop, however, debut novelist Ha Jin has created a rough-cut comic gem. Set in Communist China, the book takes as its hero a small, unprepossessing man named Shao Bin, a maintenance employee at the Harvest Fertilizer Plant and also a self-taught artist. Together with his wife and 2-year-old daughter, Bin inhabits a tiny 12-by-20-foot room. Bin is desperate to move into the newly built workers' compound, and he places his name on the waiting list with high hopes. But when the plant managers pass him over, despite the fact that he's been working there for years, Bin finally cracks. "In brief, the true scholar's brush must encourage good and warn against evil," he reads in The Essence of Ancient Chinese Thought, and inspired, he publishes a satirical cartoon protesting official corruption. The consequences of this simple act snowball, and in self-defense, Bin finds himself aiming his attacks ever higher up the bureaucratic ladder. This is a book that works on multiple levels: as character study, as political allegory, as sly bureaucratic satire, even, at times, as the broadest kind of slapstick. (One memorable scene involves Bin biting his superior on the butt.) Bin himself is half persecuted artist, half self-righteous boor; readers both sympathize with him and wonder along with one of his coworkers, "Why do you enjoy fighting so much?" Even his putative victory is left in doubt. As the book ends, Shao Bin has become perhaps a bigger fish, but there's no doubt about it; he's in the very same small pond where he started. --Mary Park

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Mostly modern first editions of fiction with a the occasional non fiction title. All jackets are mylar protected and books are kept in archival bags. Books are housed in a smoke free environment. Numerous titles are signed as well.

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