The Postman Always Rings Twice (CRIME MASTERWORKS)

Cain, James M.

ISBN 10: 0752861743 / ISBN 13: 9780752861746

Published by Orion, 2005

About this Item

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Bibliographic Details

• Title: The Postman Always Rings Twice (CRIME MASTERWORKS)
• Publisher: Orion
• Publication Date: 2005
• Language: English
• ISBN 10: 0752861743
• ISBN 13: 9780752861746
• Binding: Paperback
• Condition: Good

About this title

Synopsis

First published in 1934, The Postman Always Rings Twice caused a scandal with its explosive mix of violence and sex, and immediately became a bestseller. The torrid story of Frank Chambers, the amoral drifter, Cora, the sullen and brooding wife, and Nick Papadakis, the amiable but inconvenient husband, has become a classic of its kind, and established Cain as a major novelist with a spare and vital prose style and a bleak vision of America.

Review

Penzler Pick, April 2000: It is sometimes easy to trace a literary genre to its source, and James M. Cain's first novel, The Postman Always Rings Twice, is the noir novel that paved the way for all the noir fiction that followed. The famous film starring Lana Turner and John Garfield is notoriously dark, but the novel is even more full of despair and devoid of hope. It is a short book--little more than a novella--but its searing characterization and depiction of tawdry greed and lust is branded into every reader's memory.

Frank Chambers, a drifter, is dropped from the back of a truck at a rundown rural diner. When he spots Cora, the owner's wife, he instantly decides to stay. The sexy young woman, married to Nick, a violent and thuggish boor, is equally attracted to the younger man and sees him as her way out of her hopeless, boring life. They begin a clandestine affair and plot to kill Nick, beginning their own journey toward destruction.

Horace McCoy, David Goodis, Jim Thompson, and the other notable noir writers never achieved Cain's spare brilliance. Virtually all of his major works have been filmed, though several Hollywood studios refused to make the films, directors refused to be involved, and actors turned down roles because of their repugnance at the lack of morality inherent in all Cain's characters. Reading him may not be fit for a Sunday school class, but once you begin you will be unable to resist continuing, like picking at a painful scab or watching a tarantula inside a glass dome. --Otto Penzler