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Pursuing things yet unattempted in literary criticism, Reginald A. Wilburn offers the first scholarly work to theorize African American authors’ rebellious appropriations of Milton and his canon. This comparative and hybrid study engages African Americans’ transatlantic negotiations with perhaps the preeminent freedom writer in the English tradition.
Preaching the Gospel of Black Revolt: Appropriating Milton in Early African American Literature contends that early African American authors appropriated and remastered Milton by completing and complicating England’s epic poet of liberty with the intertextual originality of repetitive difference. Wilburn focuses on a diverse array of early African American authors, such as Phillis Wheatley, Frances Ellen Watkins Harper, Frederick Douglass, and Anna Julia Cooper, to name a few. He examines the presence of Milton in these works as a reflection of early African Americans’ rhetorical affiliations with the poet’s satanic epic for messianic purposes of freedom and racial uplift.
Wilburn explains that early African American authors were attracted to Milton because of his preeminent status in literary tradition, strong Christian convictions, and poetic mastery of the English language. This tripartite ministry makes Milton an especially indispensible intertext for authors whose writings and oratory were, sometimes, presumed beneath the dignity of criticism. Through close readings of canonical and obscure texts, Preaching the Gospel of Black Revolt explores how various authors rebelled against such assessments of black intellect by altering Milton’s meanings, themes, and figures beyond orthodox interpretations and imbuing them with hermeneutic shades of interpretive and cultural difference. However they remastered Milton, these artists respected his oeuvre as a sacred yet secular talking book of revolt, freedom, and cultural liberation.
Preaching the Gospel of Black Revolt particularly draws upon recent satanic criticism in Milton studies, placing it in dialogue with methodologies germane to African American literary studies. By exposing the subversive workings of an intertextual Middle Passage in black literacy, Wilburn invites scholars from diverse areas of specialization to traverse within and beyond the cultural veils of racial interpretation and along the color line in literary studies.
About the Author:
Reginald A. Wilburn is associate professor of English at the University of New Hampshire, where he teaches African American literature and drama, women’s literary traditions, and intertextuality studies. He has presented his work on Milton and African American literature and culture at the Modern Language Association; the International Milton Symposium in Tokyo, Japan; the African American Studies Spring Symposium at the University of Texas, San Antonio; and the Northeast Milton Seminar. Wilburn has published in Milton Studies and is a contributing author to Milton Now.
Title: Preaching the Gospel of Black Revolt - ...
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Book Description Pittsburgh: Duquesne University Press, 2014. Hardcover. Condition: As New. Dust Jacket Included. xiii, 391 pp. Hardcover with DJ. Unread, as new. New list price: $58.00. Seller Inventory # J4813
Book Description Duquesne. Condition: BRAND NEW. BRAND NEW Hardcover - A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Seller Inventory # 2567830
Book Description Duquesne University Press, 2014. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 0820704717-2-4
Book Description Duquesne, 2014. Hardcover. Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Seller Inventory # P020820704717