Psychedelic: Optical and Visionary Art Since the 1960s

Rubin, David S.

Published by San Antonio Museum / MIT Press Texas, 2010
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First Edition ~1st Printing Hardcover fine in near fine jacket; minor softening to jacket edges else a tight square unmarked copy in unclipped dust jacket. Bookseller Inventory #

Bibliographic Details

Title: Psychedelic: Optical and Visionary Art Since...
Publisher: San Antonio Museum / MIT Press Texas
Publication Date: 2010

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1.

RUBIN, David S. (with Morgan and Pinchbeck)
Published by SAMA/MIT (2009)
ISBN 10: 0262014041 ISBN 13: 9780262014045
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OXFORD HOUSE BOOKS
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Book Description SAMA/MIT, 2009. Hard Cover. Dust Jacket Condition: Very Good. Tall quarto, illustrated endpapers, 139pp., colour illustrations. Some underlining/marginalia, earlier leaves with corners tuned down. No significant wear, sound. Perfectly usable copy in very good dustwrapper and removable clear protective wrap. Seller Inventory # 42393

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David S. Rubin
Published by MIT Press 2010-04-06 (2010)
ISBN 10: 0262014041 ISBN 13: 9780262014045
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Book Description MIT Press 2010-04-06, 2010. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 working days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Seller Inventory # NU-WLY-00030827

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Rubin, David S. (Editor)
Published by Mit Pr (2010)
ISBN 10: 0262014041 ISBN 13: 9780262014045
New Hardcover Quantity Available: 1
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Revaluation Books
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Book Description Mit Pr, 2010. Hardcover. Condition: Brand New. first edition ~1st printing edition. 138 pages. 12.25x8.00x1.00 inches. In Stock. Seller Inventory # z-0262014041

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Rubin David S.
Published by SAMA / MIT 2009 (2009)
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Peter J. Hadley Bookseller ABA ILAB
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Book Description SAMA / MIT 2009, 2009. Mint in publishers cloth in like dustjacket (still shrink wrapped). 1st edition. This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and teashades, but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn t die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium. Although the term psychedelic was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world -- not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context. Artists include Isaac Abrams, Albert Alvarez, Richard Anuszkiewicz, Chio Aoshima, Kamrooz Aram, Jeremy Blake, Richie Budd, Gordon Cheung, Judy Chicago, George Cisneros, James Cobb, Steve DiBenedetto, Carole Feuerman, Jack Goldstein, Alex Grey, Peter Halley, Al Held, Mark Hogensen, Constance Lowe, Erik Parker, Ed Paschke, Lari Pittman, Ray Rapp, Deborah Remington, Bridget Riley, Susie Rosmarin, Alex Rubio, Sterling Ruby, Julian Stanczak, Jennifer Steinkamp, Frank Stella, Philip Taaffe, Barbara Takenaga, Fred Tomaselli, Victor Vasarely, Michael Velliquette, Andy Warhol, Robert Williams Essays byDavid S. Rubin, Robert C. Morgan, Daniel Pinchbeck Copublished with the San Antonio Museum of Art ISBN B009JNJ8S4. Seller Inventory # PJH38584

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