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The Public Art Museum in Nineteenth Century Britain: The Development of the National Gallery (Perspectives on Collecting)

Whitehead, Christopher

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ISBN 10: 0754632369 / ISBN 13: 9780754632368
Published by Ashgate Publishing, Limited, U.S.A., 2005
Used Condition: Good Hardcover
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1ST EDITION, HARDCOVER. 8VO WITH 270 PGS. EX-LIBRARY WITH USUAL STAMPS AND MARKINGS. PICTORIAL BOARDS. THE BOOK IS IN GOOD CONDITION WITH SLIGHT SHELFWEAR/BUMPING TO EDGES. THE INTERIOR IS CLEAN AND TIGHT. THE SPINE IS LIGHT BLUE WITH BLACK AND BLUE TEXT. Size: 8vo. Bookseller Inventory # 024754

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Bibliographic Details

Title: The Public Art Museum in Nineteenth Century ...

Publisher: Ashgate Publishing, Limited, U.S.A.

Publication Date: 2005

Binding: Boards

Book Condition:Good

Dust Jacket Condition: Good

Edition: 1st Edition.

Book Type: Ex-Library

About this title

Synopsis:

During the mid-nineteenth century a debate arose over the form and functions of the public art museum in Britain. Various occurrences caused new debates in Parliament and in the press about the purposes of the public museum which checked the relative complacency with which London's national collections had hitherto been run. This book examines these debates and their influence on the development of professionalism within the museum, trends in collecting and tendencies in museum architecture and decoration. In so doing it accounts for the general development of the London museums between 1850 and 1880, with particular reference to the National Gallery. This involves analysis of art display and its relations with art historiography, alongside institutional and architectural developments at the British Museum, the South Kensington Museum and the National Gallery. It is argued that the underpinning factor in all of these developments was a reformulation of the public museum's mission, which was in turn related to the electoral reform movement. In a potential situation of mass enfranchisement, the 'masses' should be well educated; the museum was openly identified as a useful institution in this sense. This consideration also influenced approaches to collecting and arranging artworks and to configuring their architectural setting within the museum, allowing for displays to be instructive in specific ways. Dissatisfaction with the British Museum and National Gallery buildings and their locations led to proposals to move the national collections, possibly merging and redefining them. Again the socio-political usefulness of the museum was key in determining where the national collections should be housed and in what form of building. This rich debate is analysed with full references to the various forums in and out of Parliament. Part one covers these issues in a thematic structure, examining all of the national collections, their interrelationships and their gradual development of discrete (yet sometimes arbitrary) museological territories. Part two focuses on the individual case of the National Gallery, observing how museological debate was brought to bear on the development of a specific institution. Every architectural development and redisplay is closely analysed in order to gauge the extent to which the products of debate were carried through into practice, and to comprehend the reasons why no museological grand project emerged in London.

About the Author:

Dr Christopher Whitehead is a Lecturer in Museum, Gallery and Heritage Studies at the International Centre for Cultural and Heritage Studies, University of Newcastle, UK.

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