1st Printing. 625 pages. Published in 2007. The author's breakthrough debut book. Now considered a contemporary classic. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a very small and limited first print run as a hardcover original only that sold out shortly after publication. The First Edition is now rare. Presents Alex Ross' "The Rest Is Noise". "A whirlwind tour, from the Viennese premiere of Richard Strauss' 'Salome' in 1906 to Minimalist Steve Reich's downtown Manhattan apartment. The wide-ranging historical material is organized in thematic essays grounded in personalities and places, in a disarmingly comprehensive style. Thus, composers who led dramatic lives, such as Shostakovich's struggles under the Soviet Regime, make for gripping reading, but Ross treats each composer with equal gravitas. The real strength of this study, however, lies in his detailed musical analysis, teasing out, in precise but readily accessible language, the notes that link Leonard Bernstein's 'West Side Story' to Arnold Schoenberg's avant-garde compositions or hint at a connection between Sibelius and John Coltrane. Among the many notable passages, a close reading of Benjamin Britten's opera 'Peter Grimes' stands out for its masterful blend of artistic and biographical insight. Even avid fans will find themselves hearing familiar favorites with new ears" (Publisher's blurb). "Reads like a sprawling, intense novel, one of utopian dreams, doom, and consolation, with the most extraordinary cast of characters from music and history alike. A great, inspiring ride" (Osvaldo Golijov). Currently the Resident Music Critic of The New Yorker Magazine, Alex Ross succeeded not one but two of the greatest music critics we shall ever read: Andrew Porter and Paul Griffiths, both Brits. His essays are among the reasons The New Yorker Magazine remains not only relevant but indispensable reading, nothing less than one of contemporary life's civilized pleasures. An absolute "must-have" title for Alex Ross collectors. This title is a contemporary classic. By the time Alex Ross toured for the book, copies were already in multiple subsequent printings. As far as we know, this is the only copy of the First Hardcover Edition/First Printing ("First Edition" and full number line beginning with 1 on the Copyright Page) available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Almost all other copies available online are either subsequent printings or have serious flaws. A rare copy thus. Lavishly illustrated with vintage photographs. Winner of the MacArthur Genius Grant in 2008. One of the finest living American writers. A fine copy. (SEE ALSO OTHER ALEX ROSS TITLES IN OUR CATALOG) ISBN 0374249393. Bookseller Inventory #
Synopsis: The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life. The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama's The Embarrassment of Riches and Louis Menand's The Metaphysical Club, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.
Review: Anyone who has ever gamely tried and failed to absorb, enjoy, and--especially--understand the complex works of Schoenberg, Mahler, Strauss, or even Philip Glass will allow themselves a wry smile reading New Yorker music critic Alex Ross's outstanding The Rest Is Noise. Not only does Ross manage to give historical, biographical, and social context to 20th-century pieces both major and minor, he brings the scores alive in language that's accessible and dramatic.Take Ross's description of Schoenberg's Second Quartet, "in which he hesitates at a crossroads, contemplating various paths forming in front of him. The first movement, written the previous year, still uses a fairly conventional late-Romantic language. The second movement, by contrast, is a hallucinatory Scherzo, unlike any other music at the time. It contains fragments of the folk song 'Ach, du lieber Augustin'--the same tune that held Freudian significance for Mahler. For Schoenberg, the song seems to represent a bygone world disintegrating; the crucial line is 'Alles ist hin' (all is lost). The movement ends in a fearsome sequence of four-note figures, which are made up of fourths separated by a tritone. In them may be discerned traces of the bifurcated scale that begins Salome. But there is no longer a sense of tonalities colliding. Instead, the very concept of a chord is dissolving into a matrix of intervals." Armed with such a detailed aural roadmap, even a troglodyte--or a heavy metal fan--can explore these pivotal works anew. But it's not all crashing cymbals, honking tubas, and somber Germans stroking their chins. Ross also presents the human dramas (affairs, wars, etc.) behind these sweeping compositions while managing, against the odds, to discuss C-major triads, pentatonic scales, and B-flat dominant sevenths without making our eyes glaze over. And he draws a direct link between the Beatles and Sibelius. It's no surprise that the New York Times named The Rest Is Noise one of the 10 Best Books of 2007. Music nerds have found their most articulate valedictorian. --Kim Hughes
Title: THE REST IS NOISE: LISTENING TO THE ...
Publisher: New York City, NY: Farrar, Straus & Giroux
Book Condition: As New
Edition: 1st Edition.
Book Description Farrar, Straus and Giroux. Book Condition: Acceptable. A book with obvious wear. May have some damage to the cover or binding but integrity is still intact. There might be writing in the margins, possibly underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text. Bookseller Inventory # 21-D-000062
Book Description Farrar, Straus and Giroux, 2007. Book Condition: Very Good. N/A. Ships from Reno, NV. Former Library book. Great condition for a used book! Minimal wear. Bookseller Inventory # GRP87391150
Book Description Farrar, Straus and Giroux, 2007. Book Condition: Used. This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Ross, music critic for "The New Yorker," takes readers from Vienna before the First World War to New York in the 1970s and seventies. The result is not so much a history of 20th-century music as it is a history of the 20th century through its music. Bookseller Inventory # ABE_book_usedgood_0374249393
Book Description Farrar, Straus and Giroux, 2007. Hardcover. Book Condition: Used: Good. Bookseller Inventory # SONG0374249393
Book Description Hardcover. Book Condition: Good. Used book in GOOD condition. Good enough to read. Binding in GOOD shape with no missing pages. Cover has visible wear. Markings, writings and highligtings inside the book. Text ONLY. Does NOT include accessories such as CD, DVD, access code etc. Fast Shipping. Prompt Customer Service. Satisfaction guaranteed. Bookseller Inventory # 0374249393GOA
Book Description Farrar, Straus and Giroux, 2007. Hardcover. Book Condition: Used - Very Good. 2007 - Hardback with dustjacket. First Edition, First Printing. Book is in very good condition. Book has light shelf wear, bent pages, gift inscription. Dustjacket has light shelf wear, light water damage to cover. Free tracking with domestic orders. MD SKU- 8728758 EnterMusic 10/16/2007. Bookseller Inventory # SKU-8728758
Book Description Farrar, Straus and Giroux, New York, NY, 2007. Cloth. Book Condition: Very Good Plus. Dust Jacket Condition: Very Good Plus Dust Jacket. 624 pp. Tightly bound. Corners not bumped. Text is free of markings. Book plate front end paper. Size: 8vo - over 7¾" - 9¾" tall. Bookseller Inventory # 061404
Book Description Farrar, Straus & Giroux, 2007. Hardcover with dust jacket. VG/G. Dust jacket is edge worn and scuffed. Some curling at edges and corners. Else good. 624 pp. Bookseller Inventory # 443487
Book Description Farrar, Straus and Giroux, 2007. Hardcover. Book Condition: Very Good, Used Textbook. Dust Jacket Condition: Very Good. edge and corner wear to dust jacket and boards. corners of boards are bumped. price stamp. text is unmarked. binding tight. Bookseller Inventory # 047722
Book Description FARRAR STRAUS & GIROUX, 2007. Hardcover. Book Condition: Good. Dust Jacket Condition: Good. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. General. Book: USED, Good. Dust Jacket: Good. Bookseller Inventory # 02978037424939708. Bookseller Inventory # 02978037424939708