Reality, Reader and Short Story: Aesthetics of Ellipsis and Epiphany

Jay Sankar Basu

ISBN 10: 3659210633 / ISBN 13: 9783659210631

Published by LAP LAMBERT Academic Publishing Aug 2012, 2012

About this Item

Neuware -Accumulation of quantities of upturned paradigms reached a critical point of qualitative transformation at the turn of 19thc. It abrogated linear and causal logic in human existence. New realities of void and fragments redefined text and reading strategy. The short story that descended from Chekhov and formally peaked in Mansfield and her contemporaries hinged on the axis of reality, reader and textuality. The story, in elliptical-snapshot narrative, prods the reader to stake storiness in the artefact. Short story, in taut focus, narrativizes 20th century disjunctions and 19th century overthrow of Newtonian symmetry, Laplacian mappability, Leibnizian compossibility or any other anchor. In this, short story presents an elective affinity with associational film and post-Newtonian science. The range of focus runs across textual story, film, psychology and science with a pivot on Mansfield and a penumbra on her contemporaries eschewing narrative logic. The approach is semiotic and cinematic. The springboard is fiction and film. Its relevance coextends to postmodern drift to void. The book will serve students and academicians, and those in existential spasm of modern living.Books on Demand GmbH, Überseering 33, 22297 Hamburg 360 pp. Englisch.

Seller Inventory # 9783659210631

Bibliographic Details

• Title: Reality, Reader and Short Story: Aesthetics of Ellipsis and Epiphany
• Publisher: LAP LAMBERT Academic Publishing Aug 2012
• Publication Date: 2012
• Language: English
• ISBN 10: 3659210633
• ISBN 13: 9783659210631
• Binding: Taschenbuch
• Condition: Neu
• Dimensions: 220W x 150H x 22D millimeters 220 millimeters width by 150 millimeters height by 22 millimeters depth
• Weight: 554 grams

About this title

Synopsis

Accumulation of quantities of upturned paradigms reached a critical point of qualitative transformation at the turn of 19thc. It abrogated linear and causal logic in human existence. New realities of void and fragments redefined text and reading strategy. The short story that descended from Chekhov and formally peaked in Mansfield and her contemporaries hinged on the axis of reality, reader and textuality. The story, in elliptical-snapshot narrative, prods the reader to stake storiness in the artefact. Short story, in taut focus, narrativizes 20th century disjunctions and 19th century overthrow of Newtonian symmetry, Laplacian mappability, Leibnizian compossibility or any other anchor. In this, short story presents an elective affinity with associational film and post-Newtonian science. The range of focus runs across textual story, film, psychology and science with a pivot on Mansfield and a penumbra on her contemporaries eschewing narrative logic. The approach is semiotic and cinematic. The springboard is fiction and film. Its relevance coextends to postmodern drift to void. The book will serve students and academicians, and those in existential spasm of modern living.

About the Author

Formerly Visiting Faculty to English Dept, University of Kalyani, and IGNOU, Dr Basu is Associate Prof. of English at Chakdaha College. Awarded Ph.D for his thesis on short story, he was PI on two UGC-MRPs on short story. He wrote discourses on Pinter’s Birthday Party and Synge’s Playboy for PG Courses, KU. He is working on romantic spirituality.