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Roman Domestic Art and Early House Churc

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ISBN 10: 3161493834 / ISBN 13: 9783161493836
Published by Mohr Siebeck
New Condition: New Hardcover
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In contrast to most scholars of earliest Christianity, who focus on texts, David Balch inquires into the visual world of the culture in which early Christians lived and worshiped. Jews and Christians outside Israel lived in Greek and Roman houses and apartment buildings. During the earlier republican and later imperial periods, artists painted frescoes on the walls of their patrons' houses. Beginning in the mid-1700s, archaeologists began unearthing brilliantly colored domestic paintings, often of Greek (rarely of Roman) myths and tragedies, especially in Pompeii, Herculaneum, and Rome. The author inquires how visual representations seen daily might have influenced the understanding of Jewish and Christian Scriptures read and heard in those same spaces as well as the meaning of rituals performed in domestic worship. Scenes from the tragedies of Euripides as well as visual representations of contemporary gladiator games made suffering, sacrifice, and death surprisingly visible in Roman houses, themes that were not first introduced by Christian preaching or the Eucharist. Further, David Balch includes recent studies of not only domestic art, but also Roman domestic architecture (domus and insulae) by British (Wallace-Hadrill), American (Clarke, Leach), German (Zanker, Dickmann), and Italian (Maiuri, Pappalardo) scholars, studies that help us better understand the sociology of early Christianity. Bookseller Inventory # BALROMAND

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Bibliographic Details

Title: Roman Domestic Art and Early House Churc

Publisher: Mohr Siebeck

Binding: Hardcover/Hardback

Book Condition:New

About this title

Synopsis:

In contrast to most studies of earliest Christianity that focus on texts, David Balch inquires into the visual world of the culture in which early Christians lived and worshipped. Jews and Christians outside Israel lived in Greek and Roman houses and apartment buildings. During earlier Republican and later Imperial periods, artists painted frescoes on the walls of their patrons' houses. Beginning in the mid-1700s, archaeologists began unearthing brilliantly colored domestic paintings, often of Greek (rarely of Roman) myths and tragedies, especially in Pompeii, Herculaneum, and Rome. The author inquires how visual representations seen daily might influence the understanding of Jewish and Christian scriptures read and heard in those same spaces as well as the meaning of rituals performed in domestic worship. Scenes from the tragedies of Euripides as well as visual representations of contemporary gladiatorial games make suffering, sacrifice, and death surprisingly present in Roman houses, themes not first introduced by Christian preaching or the Eucharist. Further, David Balch includes not only recent studies of domestic art, but also of Roman domestic architecture (domus and insulae) by British (Wallace-Hadrill), American (Clarke, Leach), German (Zanker, Dickmann), and Italian (Maiuri, Pappalardo) scholars, studies that affect descriptions of the social history of early Christianity.

About the Author:

David L. Balch, Born 1942; Professor of New Testament, Pacific Lutheran Theological Seminary, Graduate Theological Union, Ph.D. Yale University (1975), two Fulbright grants to Tubingen, Germany (1968, 1987); main areas of research: Roman domestic art and architecture, Hellenistic philosophy and the New Testament, social/historical context of Pauline and Lukan house churches.

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