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Roses Are Red (Alex Cross)

Patterson, James

46,832 ratings by Goodreads
ISBN 10: 0316693251 / ISBN 13: 9780316693257
Published by Little Brown and Company, 2000
Condition: Fine Hardcover
From Southron Books, LLC (Lexington, SC, U.S.A.)

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About this Item

Signed by Author 0316693251 This hardcover book is Fine, being square and tight. The boards and spine have no wear with pristine lettering. The pages and endpages are clean, with no markings or folds. The dustjacket is As New. Original Price is intact. Not ex-lib. No remainder mark. This copy is signed by the Author on the title page without inscription. Bookseller Inventory # 006537

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Bibliographic Details

Title: Roses Are Red (Alex Cross)

Publisher: Little Brown and Company

Publication Date: 2000

Binding: Hardcover

Book Condition:Fine

Dust Jacket Condition: As New

Signed: Signed by Author(s)

Edition: First Edition.

About this title

Synopsis:

In this heart-pounding but touchingly romantic thriller, Detective Alex Cross pursues the most complex and brilliant killer he's ever confronted - mysterious criminal who calls himself the Mastermind.

In a series of crimes that has stunned Washington, D.C., bank robbers have been laying out precise demands when they enter the building - and then killing the bank employees and their families if those instructions are not followed to the letter.

Detective Alex Cross takes on the case, certain that this is no ordinary bank robber at work - the pathological need for control and perfection is too great. Cross is in the midst of a personal crisis at home, but the case becomes all-consuming as he learns that the Mastermind is plotting one huge, last, perfect crime.

Review:

Roses Are Red, James Patterson's sixth Alex Cross thriller, opens with the District of Columbia detective attempting to mend his nearly unraveled family. The year-long kidnapping of one's intended (1999's Pop Goes the Weasel) will do that to a relationship. Christine, the kidnappee, is amenable with one reasonable condition: that her family's horizon remain uncluttered by homicidal maniacs. How unfortunate, then, that the joyous christening of their newborn son is rudely interrupted by the FBI bearing news of several heinous murders requiring the attention of detective (and doctor of psychology) Cross.

"Three-year-old boy, the father, a nanny," Kyle said one more time before he left the party. He was about to go through the door in the sun porch when he turned to me and said, "You're the right person for this. They murdered a family, Alex."

As soon as Kyle was gone, I went looking for Christine. My heart sank. She had taken Alex and left without saying good-bye, without a single word.

Which leaves Cross free to hunt the Mastermind, the barbarous brains behind a widening series of bank robberies in which employees or their family members are held hostage and, when instructions aren't followed to the finest iota, slaughtered. Given the cases' glaring and unfathomable inhumanity, Cross's long- time DCPD partner (the wonderful giant, John Sampson) gives way to the warm, attractive, and fiercely intelligent FBI Agent Betsey Cavalierre.

The longer and harder Cross and Cavalierre remain on his trail, the bolder and more brutal--and shiveringly close to home--the Mastermind's strikes become. And, thanks mostly to lightning-short paragraphs and a point of view that rappels from the first-person Cross to the third-person Mastermind, the tale progresses at hot-trot speed to a bona fide doozy of a denouement. It'll be over before you know it, so sit back, hold your breath, and enjoy the show. And stay tuned for the next one. --Michael Hudson

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