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Samuel Johnson and the Life of Writing

Fussell, Paul

16 ratings by Goodreads
ISBN 10: 0151792666 / ISBN 13: 9780151792665
Published by Harcourt, Brace, Jovanovich, 1971
Condition: Very Good Hardcover
From citynightsbooks (Allston, MA, U.S.A.)

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About this Item

Brown cloth, gilt titles. Stated first edition. Very good plus copy with small ink notations to front pastedown and ffep, else near fine. DJ likewise very good with rubbing; price of $9.50 intact. Scarce. 303 pp. Bookseller Inventory # 9776

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Bibliographic Details

Title: Samuel Johnson and the Life of Writing

Publisher: Harcourt, Brace, Jovanovich

Publication Date: 1971

Binding: Hardcover

Book Condition:Very Good

Dust Jacket Condition: Very Good

Edition: First Edition.

Book Type: Book

About this title


“Fresh, alert, commanding and likely to be a landmark in 18th century studies. . . .Readers who care about English literature will relish this lucid, often controversial re-examination.” ―Book-of-the-Month-Club News

Not everyone is as innocent as this engaging complainant. Most people who read know something about Johnson, enough at least to summon up images of him asseverating “No, Sir,” knocking back endless cups of tea, rambling over the Hebrides, puffing out his breath like a whale, repressing Boswell, standing bareheaded in Uttoxeter Market, and having a frisk with Beauclerk and Langton. And now, thanks to the Johnsonians of Yale, Columbia, Oxford, and Lichfield, our knowledge of the man and his social environment has increased more than anyone fifty years ago could have imagined. But despite prodigies of research and documentation, an interest in Johnson that could be called literary has been wanting. One suspects that for every hundred persons familiar with the classic Johnson anecdotes there is perhaps only one who has actually read the Rambler or the Idler or even the Lives of the Poets. And if the writings are still little read for their own sake, they are almost as little written about as attractive objects of criticism. Yale’s new edition of the writings, the first since the early nineteenth century, is an occasion to perceive that for all his value as conversational goad and wit and for all his attractiveness as a moral and religious hero, Johnson’s identity remains stubbornly that of a writer.

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