Singular Impressions: The Monotype in America

Joann Moser

Published by Smithsonian
ISBN 10: 1560987375 / ISBN 13: 9781560987376
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A book with obvious wear. May have some damage to the cover or binding but integrity is still intact. There might be writing in the margins, possibly underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text. Bookseller Inventory #

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Title: Singular Impressions: The Monotype in ...
Publisher: Smithsonian
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Joann Moser
Published by Smithsonian (1997)
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Book Description SMITHSONIAN INSTITUTION PRESS, 1997. Hardcover. Book Condition: Good. Dust Jacket Condition: Good. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. General. Book: USED, Good. Dust Jacket: Good. Bookseller Inventory # 01978156098737604. Bookseller Inventory # 01978156098737604

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Book Description Smithsonian, 1997. Hardcover. Book Condition: Very Good. isbn matches very clean hardcover with jacket. no marks. clean text. solid binding. very light wear Fast service with confirmation, no international or priority orders over 4lbs. Bookseller Inventory # mon0000105394

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Moser, Joann:
Published by Washington, DC ; London : Smithsonian Institution Press, (1997)
ISBN 10: 1560987375 ISBN 13: 9781560987376
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Book Description Washington, DC ; London : Smithsonian Institution Press, 1997. Book Condition: Sehr gut. X, 212 S. Ein gutes und sauberes Exemplar. - The monotype is a "printed drawing" made with ink or oil paint on a smooth surface such as glass or a metal plate and then pressed onto paper before the image has dried. The medium has appealed to American artists since the early 1880s, when an etching revival inspired interest in the uniquely wiped plates of Rembrandt and Whistler. Throughout the twentieth century, artists have relished the simplicity of the technique and the spontaneity of its chance effects, but when the monotype reemerged as a popular printmaking process during the 1970s and 1980s, few were aware of its history. This comprehensive survey of the monotype in America discusses the work of more than one hundred artists who, attracted by the medium's intimacy and freedom, made prints ranging from the romantic, pastoral landscapes of Bostonian Charles Alvah Walker to the Savarin-can "self-portraits" of Jasper Johns. Whether created as a brief fling with the technique by John Singer Sargent or as a sustained exploration of its subtleties by Maurice Prendergast, monotypes have attracted countless artists who usually work in other media. Describing how artists invented new methods and variations on the basic process, Joann Moser analyzes the role of the monotype in the "Black and White" exhibitions of New York's Salmagundi Club, at the 1915 Panama-Pacific Exposition in San Francisco, and in 1920s artists' communities from Provincetown to Taos. It was not until the 1970s that the monotype emerged as an alternative to the technical, structured enterprise that printmaking had become. Recognizing no rules or boundaries, artists pushed the previous limits of the medium to create a richer, more complex, more versatile means of expression. ISBN 9781560987376 Wir versenden am Tag der Bestellung von Montag bis Freitag. Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Fadengehefteter Originalpappband mit Schutzumschlag. Bookseller Inventory # 975996

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Published by Smithsonian Institution Press, Washington (1997)
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Book Description Smithsonian Institution Press, Washington, 1997. Hard Cover. Book Condition: Very Good+. Dust Jacket Condition: Very Good+. 1st Printing. Very nice, clean copy in hardcover with dust jacket. Additional shipping required for priority or international sales due to size. Size: 4to - over 9¾" - 12" tall. Bookseller Inventory # 040280

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