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Title: Sister Queens: Katherine of Aragon and Juana...
Binding: Soft cover
Book Condition: New
About this title
Katherine of Aragon, Henry VIII's first bride, has become an icon: the betrayed wife, the revered Queen, the devoted mother, a woman callously cast aside by a selfish husband besotted by his strumpet of a mistress. Her sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, the most powerful man in Renaissance Europe, is still more of a legend. She is 'Juana the Mad', the wife so passionately in love with her husband that she could not bear to be parted from him even by death, keeping his coffin by her side for year upon year. They were Sister Queens - the accomplished daughters of Ferdinand and Isabella, the founders of a unified Spain. A gripping tale of love, sacrifice, the demands of duty and the conflict between ambition and loyalty - at a time when even royal women had to fight for their positions in society - Julia Fox's vibrant new biography teems with life. Linked not only by blood but by cruel experience, their dual stories enrich our understanding of them both, casting a searchlight onto the turbulent age in which they lived.Review:
Julia Fox On Sister Queens
Julia Fox is an author and historical researcher. She lives in London with her husband, the Tudor historian, John Guy. Her first book was Jane Boleyn: The Infamous Lady Rochford, a study of the lady-in-waiting at the court of Henry VIII of England and the sister-in-law of Anne Boleyn.
This book evolved naturally from my last. Then, challenging the legends surrounding the life of Jane Boleyn, brought me face to face with the Boleyns' arch-enemy, Katherine of Aragon, herself also a woman of myth. Endowed with almost saint-like qualities by her admirers, both in her own time and in ours, she is often seen as an icon of perfection as a wife, a mother and as a queen, someone too good to be true. Yet, behind all this hype and spin which turns her into a cardboard caricature, there is a real person struggling to emerge. She's the woman I set out to find; or at least, she's one of them!
For when I began to explore Katherine's Spanish background, her sister Juana entered the picture, another figure of legend, a queen still known in her homeland as 'Juana the Mad.' When I found I couldn't get her out of my mind, the idea of bringing the sisters--whose lives were once so intertwined --back together again took root.
A pivotal moment in my research was when I visited Granada. If one single episode influenced Katherine and Juana, it's the fall of the Moors' final bastion on the Spanish mainland, an event that was so momentous in its own time, it ranks with the D-Day landings and the end of the Second World War in ours. As young, impressionable girls, Katherine and Juana were present when, after years of bloodshed and suffering, the last Moorish king rode down the steep track leading from his great palace complex of the Alhambra to surrender the keys of his city to the sisters' parents, Ferdinand and Isabella. The girls were left in no doubt that they must fight for what they believed to be right, no matter what the personal cost.
Even today, the Alhambra is magical. We can climb the paths into the intimate, intricately-carved rooms of the Moors' magnificent palace where the sisters would once have sat, wander through shady gardens, peer into subterranean dungeons which once held manacled captives; we can gaze up at the tower where the Christians raised their banners (amazingly, still preserved) to signal the triumph of their faith. We can go to the Royal Chapel in the city where Juana lies with her husband and her parents, each in narrow iron coffins, in a small, dimly-lit vault beneath the imposing mausoleums above. To see all this is to enter Katherine and Juana's world, and yearn to discover more.
And the archival sources remain. Letters, contemporary records and first-hand accounts survive in abundance, allowing the sisters to speak to us with their own voices across the centuries. It was in that evidence that I immersed myself over the three years it took to research and write this book. I tried to approach it with a fresh eye, re-evaluating everything and sweeping away the cobwebs, aiming to portray these women, warts and all, as the flesh and blood figures they once were. I owe them that.
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