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The Social Worlds Of Nineteenth-century Chamber Music: Composers, Consumers, Communities.

Lott, Marie Sumner.

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ISBN 10: 025203922X / ISBN 13: 9780252039225
Published by University of Illinois Press, Urbana and Chicago, 2015
New Condition: New Hardcover
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328 pages. Hardcover with dustjacket. New book. MUSIC. How the musical culture surrounding chamber music influenced artists and works Music played an important role in the social life of nineteenth-century Europe, and music in the home provided a convenient way to entertain and communicate among friends and colleagues. String chamber music, in particular, fostered social interactions that helped build communities within communities. Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvo¿ák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present. "By focusing on the milieu of middle-class amateurs rather than the professional world of the concert hall that has occupied most scholars, Lott provides a fresh perspective on the production and consumption of chamber music in nineteenth-century Europe. The Social Worlds of Nineteenth-Century Chamber Music is an exemplary contextual study that enhances our appreciation of not only canonic masterworks but also lesser-known pieces written for this thriving market."--Walter Frisch, author of Music in the Nineteenth Century "By considering nineteenth-century chamber music as a practice that involved not only composition but also production, marketing, and both amateur and professional performance, Marie Sumner Lott provides a fascinating and valuable new perspective on both familiar and unfamiliar music. Anyone with a serious interest in chamber music for strings--or indeed nineteenth-century European musical practice--will enjoy and learn from The Social Worlds of Nineteenth-Century Chamber Music."--David Gramit, author of Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848 Marie Sumner Lott is an assistant professor of music history at Georgia State University and a winner of a 2013 ASCAP-Deems Taylor award. "Sumner Lott's book is well organized and easy to read, and it contains many fresh insights into nineteenth-century string chamber music."--Christina Bashford, author of The Pursuit of High Culture: John Ella and Chamber Music in Victorian London "An imaginative excursion into the practical world of chamber music in the nineteenth century. Marie Sumner Lott exposes us to new repertories, which will interest string players. For musicologists and historians she proposes alternative historiographies that take composers' awareness of different audiences and expanded ideas about progressivism into account."--Mary Hunter, author of The Culture of Opera Buffa in Mozart's Vienna: A Poetics of Entertainment Publication supported by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation (Key Words: Marie Sumner Lott, Music & Nineteenth-Century Europe, String Chamber Music In Nineteenth-Century Europe, Schubert, Brahms, Dvo¿ák, Mark. Bookseller Inventory # 84704X1

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Bibliographic Details

Title: The Social Worlds Of Nineteenth-century ...

Publisher: University of Illinois Press, Urbana and Chicago

Publication Date: 2015

Binding: Hardcover

Book Condition:New

Dust Jacket Condition: Dust Jacket Included

Book Type: book

About this title

Synopsis:

Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvorák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment.
 
Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.

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How the musical culture surrounding chamber music influenced artists and works

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