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Society of Six: California Colorists

Boas, Nancy

16 ratings by Goodreads
ISBN 10: 0520210557 / ISBN 13: 9780520210554
Published by University of California Press, U.S.A., 1997
Condition: Near Fine Soft cover
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Bibliographic Details

Title: Society of Six: California Colorists

Publisher: University of California Press, U.S.A.

Publication Date: 1997

Binding: Soft cover

Book Condition:Near Fine

Edition: FIRST.

About this title

Synopsis:

Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism.

The Six created their own indigenous modernism, sparked by viewing French Impressionism and modern art at the Panama-Pacific International Exposition (PPIE) in 1915. The Society of Six is the first study to compare the works in the PPIE with the famous Armory Show of 1913 and to describe how paintings in the PPIE influenced the birth of modernism in Northern California. While the Six artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended their ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.

Review:

When these six artists first banded together in 1917, the San Francisco art establishment found their work raw and undeveloped. According to Nancy Boas, however, these painters represent the first fully evolved reflection of modern art on the West Coast. Her scholarly and engaging study is tantamount to a discovery of a previously unknown group of painters, and it is unusual in that it recounts the birth of modern art in a nonurban setting. She elegantly and convincingly balances biography with analysis, intertwining six personal stories into a much larger story, which is really about the birth of modernism, an integral segment of America's artistic heritage. These artists' works are expressive, energetic, and ablaze with vivid color, reminiscent of a quality of rarefied light found in Richard Diebenkorn's Ocean Park series or Vincent van Gogh's Arles paintings.

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