Hardcover. 8vo. Princeton University Press. 1998. 308 pgs. DJ in excellent shape, unclipped and with no tears present. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Photos sent upon request. Bx-123; 1.01 x 9.41 x 6.32 Inches; 312 pages. Bookseller Inventory #
In this provocative and wide-ranging study, Douglas Mao argues that a profound tension between veneration of human production and anxiety about production's dangers lay at the heart of literary modernism. Focusing on the work of Virginia Woolf, Wyndham Lewis, Ezra Pound, and Wallace Stevens, Mao shows that modernists were captivated by physical objects, which, regarded as objects, seemed to partake of a utopian serenity beyond the reach of human ideological conflicts. Under a variety of historical pressures, Mao observes, these writers came to revere the making of such things, and especially the crafting of the work of art, as the surest guarantee of meaning for an individual life. Yet they also found troubling contradictions here, since any kind of making, be it handicraft or mass production, could also be understood as a violation of the nonhuman world by an increasingly predatory and imperialistic subjectivity. If modernists began by embracing production as a test of meaning, then they frequently ended by testing production itself and finding it wanting.
To make this case, Mao interweaves social and political history with readings in literature, the visual arts, philosophy, and economics. He explores modernism's relation to aestheticism, existentialism, and the culture of consumption, joining current debates on the politics of engagement and the social meanings of art. And he shows conclusively, in this elegantly written and consistently surprising work, that we cannot understand the theories and practices of modernism without addressing the question of the object and production's ambivalent allure.
About the Author: Douglas Mao is Assistant Professor of English at Princeton University.
Title: Solid Objects: Postmodernism and the Test of...
Publisher: Princeton University Press
Publication Date: 1998
Book Condition: Very Good
Edition: First Edition; First Printing.
Book Description Princeton University Press, 1998. Hardcover. Condition: Used: Very Good. NICE CONDITION HARDCOVER BOOK IN DUST JACKET. NO WRITING OR MARKINGS IN TEXT. ALMOST NO WEAR TO COVER. ONLY SLIGHT WEAR TO DUST JACKET. A CLEAN & SOLID COPY. LOC:CASE. Seller Inventory # SKU-62004
Book Description Princeton University Press, 1998. Hardcover. Condition: Used: Good. Seller Inventory # SONG0691059268
Book Description Princeton University Press, 1998. Condition: New. book. Seller Inventory # M0691059268
Book Description Princeton University Press, 1998. Hardcover. Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Seller Inventory # P020691059268
Book Description Princeton University Press, 1998. Hardcover. Condition: New. Never used!. Seller Inventory # P110691059268
Book Description Princeton University Press, 1998. Hardcover. Condition: New. Seller Inventory # DADAX0691059268
Book Description Princeton University Press, 1998. Hardcover. Condition: Good. First Edition. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Seller Inventory # 0691059268
Book Description Condition: New. New. Seller Inventory # S-0691059268