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Songcatchers: In Search of the World's Music

Hart, Mickey;Kostyal, K. M.;Lytton, Lisa

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ISBN 10: 079224107X / ISBN 13: 9780792241072
Published by Natl Geographic Society, Washington, D.C., U.S.A., 2003
New Condition: New Hardcover
From Flash Books (Audubon, NJ, U.S.A.)

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RARE Signed Copy of Grateful Dead Band Member Drummer Mickey Hart. SIGNED on 1st Free End paper. No Edition or Printing information. Other booksellers are saying this book is a 1st Edition and 1st Printing. New copy. Never read. Not price clipped. Not a remainder. BEAUTIFUL copy of Book & Dust Jacket. COLLECTOR'S COPY. Bookseller Inventory # 001737

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Bibliographic Details

Title: Songcatchers: In Search of the World's Music

Publisher: Natl Geographic Society, Washington, D.C., U.S.A.

Publication Date: 2003

Binding: Hardcover

Book Condition:New

Dust Jacket Condition: New

Signed: Signed by Author(s)

About this title

Synopsis:

On March 15, 1890, ethnographer Jesse Walter Fewkes walked out onto a field in Calais, Maine, and, pumping a foot treadle for power, recorded a Passamaquoddy Indian singing a salutation song. The first field recording of traditional music ever made, the song he captured was heard around the world, creating a revolution in music that continues today. Fewkes, the first 'songcatcher' - recordists who go into the field to capture musical sound - stood at the threshold of the age of modern technology. Others coming quickly after him ventured much farther afield: They recorded the shamanic chants of the Siberian rim; the dying folk music of isolated European villagers; the ecstatic gamelon sounds of Bali; the trance drumming of Africa. They lugged their ponderous gear into the High Andes and to remote Pacific islands. Some of their names are well-known - Paul Bowles, Alan Lomax, Bela Bartok - some are unknown and unsung. They did more than bring back sound. They brought back adventure; they broadened the idea of what music meant and what culture could produce. In Songcatchers, Mickey Hart traces the adventures of these field recordists, as well as his own. At the same time, he tells the story of the extraordinary developments in technology that made sound capturing possible: How sound waves were first imprinted in wax, then how electric microphones, radio, and other inventions changed the world soundscape. And how, with the advent of computers and the digital age, a recordist can now walk into a remote corner of the globe with nothing more than a pocket-size digital recorder, a few batteries, and a microphone, and capture the world of the rain forest - its peoples, animals, and spirit - for tens of thousands of listeners to appreciate.

From Booklist:

For some time now, Grateful Dead drummer Hart has been a songcatcher, a collector of the originally noncommercial music popularly called traditional music. Many anthropologists, musicians, political and labor organizers, composers, social workers, and others were songcatchers before him, and it is their collective story that he and professional writer Kostyal tell in this engaging book. They discourse a little on music's many purposes, then leap into songcatching via sound recording. The first field recordings were of American Indian music, and the late-nineteenth-century phenomenon of world's fairs spurred the capture of Asian, African, and Pacific Island music. Meanwhile, young Anglophone composers combed the British Isles for their peoples' songs. Hart and Kostyal note major figures and events in field recording down to the present, at which point Hart relates his own experiences. Historic photographs magnificently illustrate Hart and Kostyal's accessible overview of a subject that, despite its intrinsic attractiveness, has usually been written up only in turgid academic tomes. A book for every popular library. Ray Olson
Copyright © American Library Association. All rights reserved

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