Sonic Somatic: Performances of the Unsound Body (Audio Issues)

Migone, Christof

Published by Errant Bodies Press
ISBN 10: 0982743947 / ISBN 13: 9780982743942
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0982743947 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Bookseller Inventory #

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Synopsis: In Sonic Somatic, the sound artist and theorist Christof Migone looks at sound art's overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin Artaud's writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier's groundbreaking 1969 recording “I Am Sitting in a Room”; Erik Satie's looped composition “Vexations”; Marina Abramovic's confrontational performance “Rhythm 0”; Adrian Piper's “Untitled Performance for Max's Kansas City”; Herman Melville's short story “Bartleby, the Scrivener”; Bob Connolly and Robin Anderson's documentary film First Contact; and of course the work that most looms over this topic: John Cage's paradigm-shifting 1952 composition “4'33” .”

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Title: Sonic Somatic: Performances of the Unsound ...
Publisher: Errant Bodies Press
Binding: PAPERBACK
Book Condition: Good

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Book Description Errant Bodies, United States, 2012. Paperback. Book Condition: New. Language: English . Brand New Book. In `Sonic Somatic,` the sound artist and theorist Christof Migone looks at sound art s overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin Artaud s writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier s groundbreaking 1969 recording `I Am Sitting in a Room`; Erik Satie s looped composition `Vexations`; Marina Abramovic s confrontational performance `Rhythm 0`; Adrian Piper s `Untitled Performance for Max s Kansas City`; Herman Melville s short story `Bartleby, the Scrivener`; Bob Connolly and Robin Anderson s documentary film `First Contact`; and of course the work that most looms over this topic: John Cage s paradigm-shifting 1952 composition `4 33` .`. Bookseller Inventory # AAC9780982743942

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Book Description Errant Bodies, United States, 2012. Paperback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In `Sonic Somatic,` the sound artist and theorist Christof Migone looks at sound art s overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin Artaud s writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier s groundbreaking 1969 recording `I Am Sitting in a Room`; Erik Satie s looped composition `Vexations`; Marina Abramovic s confrontational performance `Rhythm 0`; Adrian Piper s `Untitled Performance for Max s Kansas City`; Herman Melville s short story `Bartleby, the Scrivener`; Bob Connolly and Robin Anderson s documentary film `First Contact`; and of course the work that most looms over this topic: John Cage s paradigm-shifting 1952 composition `4 33` .`. Bookseller Inventory # BTE9780982743942

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Published by Errant Bodies, United States (2012)
ISBN 10: 0982743947 ISBN 13: 9780982743942
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Book Description Errant Bodies, United States, 2012. Paperback. Book Condition: New. Language: English . Brand New Book. In `Sonic Somatic,` the sound artist and theorist Christof Migone looks at sound art s overlap with other disciplines through its particular uses of articulation. Articulation is explored here in all of its guises: its negation as silence, its interruption in stuttering and its somatic ramifications in the human body. Migone looks at French playwright and poet Antonin Artaud s writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier s groundbreaking 1969 recording `I Am Sitting in a Room`; Erik Satie s looped composition `Vexations`; Marina Abramovic s confrontational performance `Rhythm 0`; Adrian Piper s `Untitled Performance for Max s Kansas City`; Herman Melville s short story `Bartleby, the Scrivener`; Bob Connolly and Robin Anderson s documentary film `First Contact`; and of course the work that most looms over this topic: John Cage s paradigm-shifting 1952 composition `4 33` .`. Bookseller Inventory # AAC9780982743942

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